Count Basie's ' "Tom Whaley" was released on its scheduled release date, January 1, 1952. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Tom Whaley's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Count". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Tom Whaley is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tom Whaley by Count Basie having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Can't Take That Away From Me | Ella Fitzgerald, Louis Armstrong | E♭ Major | 2 | 5B | 105 BPM | ||
| Shake, Rattle and Roll | Joe Williams, Count Basie | C Minor | 6 | 5A | 104 BPM | ||
| Hello, Dolly! (from Hello, Dolly!) | Frank Sinatra, Count Basie | G Minor | 6 | 6A | 186 BPM | ||
| Only You (And You Alone) | The Platters | B Minor | 7 | 10A | 92 BPM | ||
| I Wanna Be Loved By You | Marilyn Monroe | A♭ Major | 3 | 4B | 113 BPM | ||
| What A Wonderful World | Louis Armstrong | F Major | 2 | 7B | 77 BPM | ||
| Sunset Glow | Count Basie | D♭ Major | 4 | 3B | 125 BPM | ||
| Jive At Five | Count Basie | A♭ Major | 2 | 4B | 166 BPM | ||
| Si tu vois ma mère - Slow | Sidney Bechet, Claude Luter et son orchestre | E♭ Major | 4 | 5B | 80 BPM | ||
| Front Burner | Count Basie | E♭ Major | 1 | 5B | 85 BPM | ||
| Orange Colored Sky | Nat King Cole | B♭ Major | 2 | 6B | 129 BPM | ||
| Cute | Count Basie | F Major | 2 | 7B | 100 BPM | ||
| Is You Is or Is You Ain't My Baby - 2002 Remaster | Dinah Washington | A Minor | 4 | 8A | 114 BPM | ||
| Blue Skies | Frank Sinatra, Tommy Dorsey Orchestra | A Minor | 3 | 8A | 128 BPM | ||
| Can't Take My Eyes Off You | Engelbert Humperdinck | E♭ Major | 5 | 5B | 119 BPM | ||
| Papa Loves Mambo | Perry Como | C Major | 5 | 8B | 81 BPM | ||
| You Always Hurt The One You Love - 1958 version | The Mills Brothers | G Minor | 1 | 6A | 139 BPM | ||
| At Last | Etta James | F Major | 3 | 7B | 87 BPM | ||
| It Had to Be You | Jo Stafford | D♭ Major | 1 | 3B | 120 BPM | ||
| Misty | Erroll Garner | D♭ Major | 3 | 3B | 83 BPM | ||
| Four Brothers | Art Pepper | A♭ Major | 6 | 4B | 74 BPM | ||
| The Glow Worm - Single Version | The Mills Brothers | C Major | 3 | 8B | 150 BPM | ||
| You're as Pretty as a Picture | Al Bowlly | F Minor | 2 | 4A | 103 BPM | ||
| Put Your Head On My Shoulder - Remastered | Paul Anka | G Major | 4 | 9B | 110 BPM | ||
| Something's Gotta Give | Sammy Davis Jr. | A Minor | 3 | 8A | 138 BPM |