Bernard Allison's ' "Move from the Hood" was released on its scheduled release date, January 16, 2015. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Bernard Allison's "In the Mix" album is number 3 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Move from the Hood is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Move from the Hood by Bernard Allison to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Definition of Insanity | Tommy Castro | G Major | 8 | 9B | 138 BPM | ||
| Let It Burn | Joanne Shaw Taylor | D♭ Major | 5 | 3B | 101 BPM | ||
| It's a Man Down There | Junior Wells, Bernard Allison | D♭ Major | 8 | 3B | 185 BPM | ||
| Had About All I Can Take | Chris Cain | F Minor | 9 | 4A | 130 BPM | ||
| Big Money Sonny | Smokin' Joe Kubek, Bnois King | D Major | 6 | 10B | 123 BPM | ||
| Bad Blood | Bernie Marsden, Cherry Lee Mewis | F Minor | 8 | 4A | 117 BPM | ||
| Blues Keep Chasing Me | Kenny Neal | F Major | 6 | 7B | 183 BPM | ||
| Unity | Anthony Gomes | G Major | 9 | 9B | 114 BPM | ||
| Rhymes | Beth Hart, Joe Bonamassa | D Major | 9 | 10B | 165 BPM | ||
| The St Christopher | Luca Rossi | A♭ Major | 8 | 4B | 87 BPM | ||
| Get Your Ass in the Van | Albert Castiglia | D Major | 10 | 10B | 118 BPM | ||
| Shame | Henrik Freischlader | B Minor | 9 | 10A | 145 BPM | ||
| Ten Thousand Watts | Altered Five Blues Band | A Minor | 9 | 8A | 96 BPM | ||
| Them Changes | Tommy Castro, The Painkillers, David Hidalgo | A Major | 9 | 11B | 104 BPM | ||
| Time Has Come | Joanne Shaw Taylor | C Major | 9 | 8B | 91 BPM | ||
| Two's Company | Anni Piper | D Major | 5 | 10B | 97 BPM | ||
| Love Is an Ocean | Darren Watson | D♭ Major | 6 | 3B | 139 BPM | ||
| Deadwood and Wire | Buddy Whittington | G Major | 6 | 9B | 144 BPM | ||
| Openness | Henrik Freischlader | D Major | 9 | 10B | 170 BPM | ||
| Unlovable | Toronzo Cannon | A♭ Major | 9 | 4B | 146 BPM | ||
| Neverland | Guitar Shorty | A Minor | 8 | 8A | 124 BPM | ||
| Don't Let Them Fool Ya | Albert Castiglia | B♭ Minor | 7 | 3A | 160 BPM | ||
| So Devine | Bernard Allison | A Minor | 7 | 8A | 80 BPM | ||
| Can I Help It | Vintage Sans | D Major | 2 | 10B | 171 BPM | ||
| Crusin for a Bluesin | Bernard Allison | G Major | 8 | 9B | 136 BPM |