飛鳥涼, 東京アカデミー室内管弦楽団's ' "万里の河" was released on its scheduled release date, April 21, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Symphonic "SAY YES"(飛鳥 涼作品集)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Japan. Based on our statistics, 万里の河's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 万里の河 by 飛鳥涼, 東京アカデミー室内管弦楽団 having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夜明けのスターライト | Kiyomi Suzuki | E♭ Major | 7 | 5B | 75 BPM | ||
| 雨音 | Toshinobu Kubota | B Minor | 7 | 10A | 90 BPM | ||
| You're the Only・・・ | Masatoshi Ono | A Major | 5 | 11B | 79 BPM | ||
| ONE | ASKA | D Minor | 9 | 7A | 142 BPM | ||
| 離れずに暖めて -2018 Remastering Ver.- | Sing Like Talking | G Minor | 8 | 6A | 119 BPM | ||
| FOREVER | Mayo Okamoto | D Major | 6 | 10B | 116 BPM | ||
| 悲しい気持ち(Just a man in love) | Keisuke Kuwata | C Major | 9 | 8B | 200 BPM | ||
| Missing | Toshinobu Kubota | G Major | 2 | 9B | 136 BPM | ||
| Seventh Code wo Tengoku ni Kure | Tunnels | B♭ Major | 4 | 6B | 82 BPM | ||
| 家 (うち)に帰ろう (マイ・スイート・ホーム) | Mariya Takeuchi | D Major | 9 | 10B | 124 BPM | ||
| Woman | Keizo Nakanishi | B Minor | 7 | 10A | 92 BPM | ||
| 今、君に言っておこう | Fumiya Fujii | G Major | 4 | 9B | 126 BPM | ||
| 本日のスープ | 大泉 洋 | A Major | 8 | 11B | 176 BPM | ||
| Precious Junk | Ken Hirai | A♭ Major | 9 | 4B | 124 BPM | ||
| 瑠璃色の地球 - 2020 | Seiko Matsuda | D♭ Major | 3 | 3B | 172 BPM | ||
| 涙のキッス | サザンオールスターズ | C Major | 8 | 8B | 106 BPM | ||
| 青春の影 | TULIP | G Major | 5 | 9B | 132 BPM | ||
| ガキの頃のように | Takao Horiuchi | D Major | 5 | 10B | 144 BPM | ||
| 次の夢 | Keizo Nakanishi | A♭ Major | 5 | 4B | 94 BPM | ||
| JUST BECAUSE | THE JAYWALK | D Major | 4 | 10B | 142 BPM | ||
| 心の旅 | Kazuo Zaitsu | F Major | 5 | 7B | 168 BPM | ||
| いつまでも変わらぬ愛を - 2011バージョン | Tetsuro Oda | B♭ Major | 8 | 6B | 127 BPM | ||
| 愛し方も分からずに | 東野純直 | A Major | 7 | 11B | 170 BPM | ||
| ID | ASKA | B♭ Minor | 8 | 3A | 135 BPM | ||
| 風唄 | Naotaro Moriyama | F Major | 5 | 7B | 158 BPM |