Raúl García Zárate's 'Carnaval Arequipeño' had a release date set for 1998. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Carnaval Arequipeño's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Raúl García Zárate's "La Primera Guitarra Andina del Perú, Vol. 2 (Patrimonio Cultural de la Patria)" album is number 7 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Carnaval Arequipeño is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Carnaval Arequipeño by Raúl García Zárate to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mis llamitas (Charango version) | Manolo Criollo | A Minor | 5 | 8A | 103 BPM | ||
| Copagira | Eddy Navia | C Major | 5 | 8B | 122 BPM | ||
| Munaspaqa Suyaykuway | Jaime Guardia | B♭ Minor | 4 | 3A | 103 BPM | ||
| Llora Zampoña | Zampoñas del Peru | D Major | 9 | 10B | 153 BPM | ||
| Fantasia Supra Eleonor Rigby (Sobre La Canción De P. McCartney | Barroco Andino | C Major | 3 | 8B | 145 BPM | ||
| Danza del Inca (Peru) | Los Incas | B Major | 3 | 1B | 112 BPM | ||
| La Cochamoyera | Atahualpa Yupanqui | D♭ Minor | 5 | 12A | 184 BPM | ||
| Huaylas Antiguo | Riber Ore | G Major | 6 | 9B | 150 BPM | ||
| Fina Estampa | Las Guitarras de Oro del Perú | E Major | 4 | 12B | 89 BPM | ||
| Mujer Andina | Jacinto Humberto Palacios Zaragoza, The Strings Of The Inkas | G Major | 5 | 9B | 98 BPM | ||
| Bambuco | Los Incas | A Minor | 3 | 8A | 143 BPM | ||
| Valicha | INCA, the Peruvian Ensemble | C Major | 9 | 8B | 141 BPM | ||
| Danza del Cactus | Ruphay, Luzmila Carpio | F♯ Major | 3 | 2B | 81 BPM | ||
| Recuerdos | William Ernesto Centellas | E Minor | 4 | 9A | 90 BPM | ||
| Carta de plata | Joel Francisco Perri, Cedric Perri | D Major | 3 | 10B | 80 BPM | ||
| El Condor Pasa | Los Incas | E Minor | 4 | 9A | 75 BPM | ||
| La Ingratitud (Albazo Ecuador) | Carlota Jaramillo | C Minor | 3 | 5A | 136 BPM | ||
| Alverjas Saruy | Raúl García Zárate | G Major | 0 | 9B | 113 BPM | ||
| Qh'Itipachasa | Maya Andina | A Minor | 4 | 8A | 102 BPM | ||
| Galerón | Los Incas | A Major | 8 | 11B | 99 BPM | ||
| Allegro (De Una Sonata Para Flauta Y B.C.) | Barroco Andino | G Major | 5 | 9B | 89 BPM | ||
| El Invierno (2º Movimiento De Las Cuatro Estaciones) | Barroco Andino | D Major | 2 | 10B | 109 BPM | ||
| El Vuelo Del Condor | Toconao | E Minor | 3 | 9A | 179 BPM | ||
| Vírgenes del Sol | Jaime Guardia | E♭ Minor | 4 | 2A | 161 BPM | ||
| Mallku (Bolivia) | Alpamayo | E Minor | 4 | 9A | 104 BPM |