On April 22, 2000, the song "Lali Lali Bindiya" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Madan Rai's "Lali Lali Bindiya" album is number 3 out of 7. On top of that, India appears to be the country where this track was created. Lali Lali Bindiya is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lali Lali Bindiya by Madan Rai to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| More Mann Chal Vrindavan Dham | Rajendra Vyas | D Major | 7 | 10B | 101 BPM | ||
| Bhanwarwa Ke Tohra Sang Jaayi | MANOJ TIWARI | F♯ Major | 5 | 2B | 156 BPM | ||
| Saasu Mora Mare Rama | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Deva Tujhya Muralichya Payi | Surykant Shinde | E♭ Minor | 9 | 2A | 97 BPM | ||
| Siya Leke Jaaho Piya - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 6 | 5B | 146 BPM | ||
| Bhukh Lagi T Khiyawe Pari Pizza Raja Ji | Karina Pandey | B♭ Minor | 7 | 3A | 150 BPM | ||
| Aadhi Raat Ko Aaye Balam | Diwakar Dwivedi | D♭ Major | 6 | 3B | 154 BPM | ||
| Maiya Durga Abiyau Mora Angan Meun | Kunj Bihari Mishr | E Major | 8 | 12B | 100 BPM | ||
| Gajra Ke | Shivkumar Tiwari | E♭ Major | 9 | 5B | 109 BPM | ||
| Naihar Mein Bichhilaai Paiyan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Jay Shiv Shankar Bhole Dani | Poonam Mishra | E Major | 6 | 12B | 180 BPM | ||
| Badshahitalya Tya Mukutatla | Milind Shinde | G Major | 4 | 9B | 87 BPM | ||
| Pyar Gori Kab Karbu | Radhe Shyam Rasiya, Sarmista | F♯ Major | 6 | 2B | 75 BPM | ||
| Kanak Bhawan Darwaje Khade Raho | Devendra Pathak | B♭ Major | 9 | 6B | 159 BPM | ||
| Bodh Ha Buddhacha Tu Jaan | Arvind Soaz | G Minor | 6 | 6A | 121 BPM | ||
| Dulha Banal Shri Ram Hey | Poonam Mishra | F Minor | 8 | 4A | 83 BPM | ||
| Sada Suhagan Mata Tu Hai | Narendra Chanchal | D♭ Major | 7 | 3B | 117 BPM | ||
| Kiya Maari Chhe Chovaniya | Dilip Darbhangiya | G Minor | 10 | 6A | 75 BPM | ||
| Balak Abodhe Bujhike | Vishnu Ojha | B♭ Major | 6 | 6B | 88 BPM | ||
| Mala Mhantay Khandeshni Maina | Bilal Tadavi, Urmila Mahajan, Aarti Kale | A♭ Major | 6 | 4B | 98 BPM | ||
| Pedvo Ke Saath Chhod Dela Patiyaa | Radhe Shyam Rasiya | E♭ Minor | 7 | 2A | 167 BPM | ||
| Manjeero Satar | Hari Bharwad | B Major | 4 | 1B | 103 BPM | ||
| Sab Kuch Karih Pyar Na Karih | Kalpana Patowary, Suresh Wadkar | C Major | 4 | 8B | 78 BPM | ||
| Bala Tu Hai Anjani Ka Lala (Aarti) | Ram Kumar Lakkha | E Minor | 9 | 9A | 105 BPM |