"Force Fields and Spaces" by James Fulkerson, Jörgen Van Rijen had its release date on January 1, 2009. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 14 in First Chairs, Volume 1 by Jörgen Van Rijen. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Force Fields and Spaces's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Force Fields and Spaces by James Fulkerson, Jörgen Van Rijen is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Patterns VII | James Fulkerson | B♭ Major | 0 | 6B | 100 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| Running Rabbits | Isobell Makkar | B♭ Minor | 1 | 3A | 101 BPM | ||
| Te Deum: Te gloriosus Apostolorum chorus | Henrik Ødegaard, Trad., Ensemble 96, Nina T. Karlsen | G Major | 0 | 9B | 94 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Journey to the End of the Night: IV. — | Morton Feldman, Claron McFadden, Barton Workshop, James Fulkerson | G Major | 0 | 9B | 94 BPM | ||
| Animating Degree Zero | James Mulcro Drew, Eleonore Pameijer, John Anderson, Marieke Keser, Max Knigge, Anne Magda de Geus, Stefan Pliquett, Hilary Jeffery, James Fulkerson, Frank Denyer, Enric Monfort Barbera, Jos Zwaanenburg | A Minor | 0 | 8A | 71 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | G Major | 0 | 9B | 94 BPM | ||
| Exercises 15–18: No. 17, — | Christian Wolff-Jesse, James Fulkerson | D♭ Major | 1 | 3B | 121 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| 7 Haikus: V. Poco mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Phalanx Suite: Hidden Finale | R.Kuhn, Rüdiger Edgar Kuhn | A Minor | 2 | 8A | 138 BPM | ||
| For 2 Trombones No. 2 | Philip Corner, James Fulkerson, Hilary Jeffery | B♭ Major | 3 | 6B | 92 BPM | ||
| Klavierstück VIII | Karlheinz Stockhausen, Miharu Ogura | B♭ Major | 2 | 6B | 92 BPM | ||
| Hymkus | John Cage, James Fulkerson | A♭ Major | 0 | 4B | 133 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the girl | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | G Major | 0 | 9B | 94 BPM | ||
| Pulsars, Pt. 2: Episode 3 | Tomasz Trzcinski | E Major | 2 | 12B | 118 BPM | ||
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| 12 Nocturnes: No. 9, Sigrids Wiegenlied | Bent Sørensen, Katrine Gislinge | G Major | 0 | 9B | 94 BPM | ||
| Fructus Ventris | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| String Quartet: III. Fàpmu | Bjorn Arntsen, Towha | C Minor | 0 | 5A | 173 BPM | ||
| Gods Glorie Ende Heerlicheyt (Ic hadde een gestadich minneken) | Martien van der Knijff | E♭ Major | 2 | 5B | 84 BPM |