"Heretic Part 4" by Lustmord had its release date on October 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lustmord's "Heretic" album is number 4 out of 6. Based on our statistics, Heretic Part 4's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Heretic Part 4 by Lustmord to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Hidden Mountains | Lustmord | B Minor | 2 | 10A | 80 BPM | ||
| Cold Vision | Phelios | E♭ Major | 4 | 5B | 62 BPM | ||
| Credo Ultima | Monasterium Imperi | E Major | 4 | 12B | 88 BPM | ||
| Therasia | Sephiroth | C Minor | 2 | 5A | 79 BPM | ||
| The Coming of the Black Legions | Inade | D Major | 1 | 10B | 106 BPM | ||
| Chalice of Eternity | Metatron Omega | E Minor | 2 | 9A | 127 BPM | ||
| Unveiling the Ancients | Coltrin Compositions | F Minor | 3 | 4A | 86 BPM | ||
| Cavern of Igneous Flame | Apocryphos, Kammarheit, Atrium Carceri | F Major | 3 | 7B | 73 BPM | ||
| Barefoot | Shadow Lines | D♭ Major | 2 | 3B | 184 BPM | ||
| Becoming One with Darkness | Beyond the Ghost | A♭ Minor | 3 | 1A | 48 BPM | ||
| Arcana Vox Inferni | STUDER, Trap Your Mind | A♭ Major | 6 | 4B | 132 BPM | ||
| Die drei Schwestern | Apoptose | D♭ Major | 2 | 3B | 131 BPM | ||
| In Abandoned Places | Raison D'être | G Major | 1 | 9B | 114 BPM | ||
| The Western Approaches | Dread, Lustmord | A Minor | 5 | 8A | 97 BPM | ||
| A Momentary Refuge | Dead Melodies, Beyond the Ghost | E Minor | 0 | 9A | 84 BPM | ||
| Vyachnost | Metatron Omega | F♯ Major | 3 | 2B | 137 BPM | ||
| Adrift | Desiderii Marginis | G Minor | 3 | 6A | 80 BPM | ||
| 40 Hz Mental Clarity | Silent Harmonics | A♭ Major | 6 | 4B | 132 BPM | ||
| Disgraced At the Foot of the Throne of God | Worms of the Earth | C Minor | 8 | 5A | 118 BPM | ||
| Spiritually Blind | Arditi | E♭ Major | 7 | 5B | 111 BPM | ||
| Faltering | Cementation Anxiety | D♭ Major | 4 | 3B | 79 BPM | ||
| Disassembly | Hadamard Gate | C Minor | 4 | 5A | 92 BPM | ||
| Charon | Phonothek | B♭ Minor | 5 | 3A | 80 BPM | ||
| Butterflies With Needles - Original Mix | Taphephobia | F Major | 2 | 7B | 70 BPM | ||
| Tibetan Focus | Binaural Dreams | A♭ Major | 6 | 4B | 132 BPM |