Time In Malta's ' "Separation" was released on its scheduled release date, June 15, 1999. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Separation's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 6 in Construct and Demolish by Time In Malta. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Separation is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Separation by Time In Malta is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Outlive The Man | Sense Field | A Minor | 9 | 8A | 99 BPM | ||
| Venus Complex | Twelve Tribes | F Minor | 9 | 4A | 162 BPM | ||
| Eating A Book | He Is Legend | A Major | 8 | 11B | 172 BPM | ||
| Transatlantic Foe | At the Drive-In | E Major | 9 | 12B | 107 BPM | ||
| Decoys Like Curves | Hopesfall | A Major | 9 | 11B | 92 BPM | ||
| Better Than Crying | Farside | G Major | 10 | 9B | 100 BPM | ||
| Whatever It Takes | Fairweather | D Major | 9 | 10B | 100 BPM | ||
| At Your Own Risk | Glasseater | A♭ Major | 10 | 4B | 195 BPM | ||
| Against | Straight Faced | G Major | 10 | 9B | 105 BPM | ||
| Worst Case Scenario | Stretch Arm Strong | D Major | 10 | 10B | 113 BPM | ||
| II. Dusk | Dead Hearts | A Major | 9 | 11B | 128 BPM | ||
| Backward | Quicksand | F♯ Minor | 9 | 11A | 102 BPM | ||
| Defiant Hearts | The Hope Conspiracy | A♭ Major | 10 | 4B | 122 BPM | ||
| Dress Rehearsal | Snapcase | G Major | 10 | 9B | 163 BPM | ||
| Division | Planes Mistaken For Stars | E Minor | 9 | 9A | 103 BPM | ||
| Hardly | Shai Hulud | C Major | 10 | 8B | 103 BPM | ||
| Into Your Arms | Beloved | D Major | 9 | 10B | 85 BPM | ||
| State Of Mind | Figure Four | D♭ Major | 10 | 3B | 149 BPM | ||
| The Impending Glory Of American Adulthood | Crime In Stereo | A Minor | 10 | 8A | 178 BPM | ||
| The Last American Cowboy | The Bled | D Major | 9 | 10B | 159 BPM | ||
| American Classic | Silent Drive | F Minor | 8 | 4A | 140 BPM | ||
| I Fought The Broad (And The Broad Won) | Secret Lives Of The Freemasons | D Major | 8 | 10B | 170 BPM | ||
| Rogue | Engine Down | D♭ Minor | 9 | 12A | 192 BPM | ||
| Medicine | Glasseater | B Minor | 10 | 10A | 100 BPM | ||
| For The World | Shai Hulud | B Major | 10 | 1B | 174 BPM |