Alessandro Scarlatti, Víctor Sordo, José Coca Loza, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Prima Parte: Per abbatter le forze (Recitativo)" was released on its scheduled release date, February 14, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Prima Parte: Per abbatter le forze (Recitativo) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Prima Parte: Per abbatter le forze (Recitativo) by Alessandro Scarlatti, Víctor Sordo, José Coca Loza, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantate, ariette, e duetti, Op. 2: No. 16, L’amante segreto | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | B Major | 2 | 1B | 96 BPM | ||
| Hasse: Serpentes ignei in deserto: Recitativo. "Longo labore oppressi" (Eliab, Eleazar) | Johann Adolf Hasse, Thibault Noally, Les Accents, Carlo Vistoli, David Hansen | F♯ Major | 1 | 2B | 134 BPM | ||
| Overture in G Minor: II. Gavotte | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 89 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Messa a 5 Concertata: I. Sinfonia avanti la Messa | Giovanni Paolo Colonna, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 151 BPM | ||
| Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
| Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
| San Giovanni Battista: Io per me non cangerei | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | G Minor | 1 | 6A | 92 BPM | ||
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
| Ouverture in G Minor "Apollon enjoué": V. Menuets - Live | Johann Sigismund Kusser, Freiburger Barockorchester, Gottfried Von Der Goltz | F♯ Minor | 2 | 11A | 82 BPM | ||
| Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | ||
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Scarlatti, Alessandro : Sonata for Recorder & 2 Violins in A minor : III Fuga | Alessandro Scarlatti, Il Giardino Armonico, Giovanni Antonini | A♭ Minor | 1 | 1A | 106 BPM | ||
| Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
| Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
| Bel piacere ch'è la caccia: Sì, che ceder mi conviene (Aria) | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi, Anna Chierichetti | D♭ Major | 2 | 3B | 117 BPM | ||
| Stabat mater: IX. Pia mater, fons amoris | Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Concerti á 5 for Little Flaut, Due Violini, Alto et Basso, No. 4 in D Major: III. Allegro | Bartolomeo Bernardi, Giuseppe Torelli, Höör Barock, Emelie Roos | D♭ Major | 2 | 3B | 134 BPM | ||
| Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Strike the viol, touch the lute | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 2 | 12A | 115 BPM | ||
| Gloria in D Major, RV 589: VI. Domine Deus | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 42 BPM |