"Gymnopédie no. 1" by Romi Kopelman had its release date on June 14, 2021. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 3 in the song's album "Satie (Arr. for Cello)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Israel. Gymnopédie no. 1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gymnopédie no. 1 by Romi Kopelman having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Like Clockwork | Benjamin Kling | A♭ Major | 5 | 4B | 115 BPM | ||
| Nothing Can Stop Us | Cinematorama | C Minor | 3 | 5A | 203 BPM | ||
| Flowers in the Mirror | Sayuri Hayashi Egnell | B Major | 0 | 1B | 124 BPM | ||
| Prayer | Roy Dahan | E♭ Major | 1 | 5B | 153 BPM | ||
| The Pool | Johannes Ringen | F Minor | 1 | 4A | 120 BPM | ||
| Noir | London Music Works, Evan Jolly | A♭ Minor | 3 | 1A | 77 BPM | ||
| Friend of Mine | Johannes Bornlöf | D♭ Major | 0 | 3B | 204 BPM | ||
| Song of Transference and End Credits | Junkie XL | G Minor | 2 | 6A | 84 BPM | ||
| Piano | Danny Bensi and Saunder Jurriaans | G Major | 0 | 9B | 121 BPM | ||
| Melancholia - Tristan and Isolde | The City of Prague Philharmonic Orchestra | B♭ Major | 0 | 6B | 120 BPM | ||
| Chemtrails | Sémø | D♭ Major | 5 | 3B | 140 BPM | ||
| Roll Over Beethoven 7th | Marco Beltrami | C Major | 6 | 8B | 145 BPM | ||
| We Found Each Other | Birraj | E Major | 0 | 12B | 185 BPM | ||
| Rain Puddles | The Seventh Movement, Ardie Son | B Major | 1 | 1B | 111 BPM | ||
| I Left The Earth | Lucinda Chua | A Major | 1 | 11B | 80 BPM | ||
| Rest Easy | Paul Mottram | C Major | 2 | 8B | 76 BPM | ||
| Smell of Morning Coffee | Franz Gordon | F Minor | 0 | 4A | 52 BPM | ||
| Cry | Johannes Bornlöf | A Major | 0 | 11B | 70 BPM | ||
| Aftershocks | The Seventh Movement, Ardie Son | G Major | 2 | 9B | 110 BPM | ||
| hghgjhkhlnyhnhbl | tuctu | F Minor | 6 | 4A | 154 BPM | ||
| Wish You'd Never Left | TrackTribe | G Minor | 1 | 6A | 78 BPM | ||
| Forget | Pablo Suárez | A Minor | 3 | 8A | 115 BPM | ||
| Pouring Out | Asher Fulero | E♭ Minor | 3 | 2A | 108 BPM | ||
| Vivaldi Variation (arr. for piano from Concerto for Strings) | Julie Hanney | G Minor | 1 | 6A | 67 BPM | ||
| VARIATION AUTOUR D'UN PRÉLUDE - Anatomie d'une chute | Benoît Daniel | A Minor | 1 | 8A | 62 BPM |