- BPM
- 172
- Key
- A Major
- Camelot
- 11B
Vaya Con Dios - Mariachi Azteca Version by Marion Hoffmann, Mariachi Azteca Song Details
Marion Hoffmann, Mariachi Azteca's 'Vaya Con Dios - Mariachi Azteca Version' had a release date set for September 15, 2017. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marion Hoffmann's "Marion's Party-Hits" album is number 18 out of 19. On top of that, Germany appears to be the country where this track was created. The popularity of Vaya Con Dios - Mariachi Azteca Version is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Vaya Con Dios - Mariachi Azteca Version by Marion Hoffmann, Mariachi Azteca to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -8.13 dB
- Acousticness
- 59%
- Danceability
- 26%
- Energy
- 39%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 86%
- Speechiness
- 3%
- Valence
- 36%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": III. Jigg (Allegro assai) | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 118 BPM | |
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 | Flute Sonata in G Major, Op. 1 No. 5, HWV 363b: I. Adagio | George Frideric Handel, Hans-Martin Linde, Karl Richter, Johannes Koch | G Major | 1 | 9B | 74 BPM | |
 | Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | |
 | Holding Out for a Hero | Marion Hoffmann | C Major | 5 | 8B | 147 BPM | |
 | Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | A Major | 1 | 11B | 102 BPM | |
 | La Molinarella: Symphony | Niccolò Piccinni, International Symphony Orchestra, Silvano Frontalini | D Major | 0 | 10B | 95 BPM | |
 | Atys, "Le Sommeil" Opera in 5 actes with prologue: Le sommeil | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | G Major | 1 | 9B | 146 BPM | |
 | Concerto Grosso in D Minor, Op. 3, No. 5: IV. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 108 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 7 : III. Allegro | Arcangelo Corelli, Quido Holbling, Anna Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 1 | 10B | 134 BPM | |
 | Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Andante - Allegro ("Qui l'augel da pianta in pianta" from Cantata 'Aci, Galatea e Poliremo', HWV 72) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | A Major | 0 | 11B | 77 BPM | |
 | Chef’s Touch | Estoria | G Minor | 2 | 6A | 117 BPM | |
 | Suite for String Orchestra: IV. Presto | Leoš Janáček, English String Orchestra, William Boughton | G Minor | 2 | 6A | 117 BPM | |
 | Albinoni: Trattenimenti armonici, Op. 6: Trumpet Concerto No. 11 in B-Flat Major "San Marco": I. Grave (Arr. Thilde After Violin Sonata) | Tomaso Albinoni, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 104 BPM | |
| Bad Moon Rising | Marion Hoffmann | C Major | 5 | 8B | 147 BPM | |
 | Harp Concerto in G Major: I. Allegro | Georg Christoph Wagenseil, Andrea Vigh, Budapest Strings, Karoly Botvay | G Major | 0 | 9B | 75 BPM | |
 | Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | |
 | Symphony in A Major, Op. 1, No. 3 (Callen 3): III. Presto | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 0 | 11B | 105 BPM | |
 | Oboe Concerto in D Minor, TWV 51:d1: I. Adagio | Georg Philipp Telemann, The King's Consort, Robert King, Paul Goodwin | A♭ Major | 1 | 4B | 142 BPM | |
 | Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM |
- ISRC
- DEX641700918
- Label
- L-M Records/RCA Records