The Pride of Buxmont by David Holsinger, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz Song Details

David Holsinger, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz's 'The Pride of Buxmont' had a release date set for August 7, 2012. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. The Pride of Buxmont's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 23 in Distinguished Music for the Developing Wind Band, Vol. 3 by Rutgers Symphonic Band, Rutgers Wind Ensemble, William Berz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Pride of Buxmont's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Pride of Buxmont by David Holsinger, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Music Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.862 dB
Acousticness: 94%
Danceability: 36%
Energy: 6%
Instrumentalness: 1%
Liveness: 8%
Loudness: 64%
Speechiness: 4%
Valence: 25%

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