On January 1, 2011, the song "Gwely Mernans (Arr. K. Thompson)" was released by Aphex Twin, Alarm Will Sound, Allan Pierson. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 15 in Acoustica by Aphex Twin, Alarm Will Sound, Allan Pierson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Gwely Mernans (Arr. K. Thompson) is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Gwely Mernans (Arr. K. Thompson) by Aphex Twin, Alarm Will Sound, Allan Pierson is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Algol | Dawn of Midi | B♭ Minor | 8 | 3A | 123 BPM | ||
| Machines of the Subconscious | The Future Sound Of London | B♭ Minor | 8 | 3A | 117 BPM | ||
| Sketch 4 | Tim Hecker | D♭ Minor | 2 | 12A | 127 BPM | ||
| Gwarek2 | Aphex Twin | A♭ Major | 0 | 4B | 136 BPM | ||
| Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
| Icct Hedral | Aphex Twin | A Minor | 1 | 8A | 76 BPM | ||
| Cycles of 9 | Mark Pritchard | F Minor | 2 | 4A | 136 BPM | ||
| Ink Cloud | Two Lone Swordsmen | B♭ Major | 3 | 6B | 114 BPM | ||
| Rittle Beta - Archive '99 | Telefon Tel Aviv | E Minor | 8 | 9A | 150 BPM | ||
| Portreath Harbour | Polygon Window | B♭ Major | 3 | 6B | 114 BPM | ||
| Gemini (Revision) | Hrvatski | D♭ Major | 10 | 3B | 112 BPM | ||
| Peter Venkman Pt.I | Ben Frost | G Major | 5 | 9B | 95 BPM | ||
| Secret Stair #1 | µ-Ziq | F♯ Minor | 8 | 11A | 170 BPM | ||
| Redruth School | Polygon Window | F♯ Major | 8 | 2B | 152 BPM | ||
| Dandy | Kid606 | G Major | 2 | 9B | 98 BPM | ||
| MARCHROMT38 fast | Aphex Twin | A♭ Major | 8 | 4B | 136 BPM | ||
| The Politics of Digital Audio | Oval | F Major | 4 | 7B | 97 BPM | ||
| Wait Behind This Line | The Black Dog | D♭ Major | 2 | 3B | 125 BPM | ||
| Dawn Of The North | Mark Pritchard | E Major | 5 | 12B | 66 BPM | ||
| Last Known Image Of A Song - Ryuichi Sakamoto Rework | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| Hiszékeny | Venetian Snares | F Major | 2 | 7B | 82 BPM | ||
| Ivy and Lead | Two Lone Swordsmen | A Minor | 6 | 8A | 142 BPM | ||
| Autumn Acid | µ-Ziq | D Major | 9 | 10B | 121 BPM | ||
| California Rhinoplasty | Matmos | B♭ Minor | 6 | 3A | 102 BPM | ||
| Olson (Version 3) | Boards of Canada | G Major | 9 | 9B | 128 BPM |