"Breaking and Entering" by Emilio Kauderer had its release date on November 6, 2015. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Breaking and Entering's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Secret in Their Eyes (Original Motion Picture Soundtrack)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Breaking and Entering is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Breaking and Entering by Emilio Kauderer having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madame Olenska | Elmer Bernstein | C Minor | 2 | 5A | 87 BPM | ||
| The Attic | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| I Lived Here | Martin Phipps | A Minor | 1 | 8A | 96 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| The Hours | Philip Glass | G Minor | 1 | 6A | 104 BPM | ||
| Kate's Theme / End Credits | Lennie Niehaus, Clint Eastwood | F Major | 1 | 7B | 79 BPM | ||
| To the Altar | Sebastian Kauderer, Emilio Kauderer | B♭ Minor | 0 | 3A | 133 BPM | ||
| Kauffman | Fernando Velázquez | G Minor | 0 | 6A | 86 BPM | ||
| Chique (feat. Fernando Marzan Quintet) | Ricardo Brignolo, Emilio Kauderer, Fernando Marzan Quintet | G Minor | 5 | 6A | 122 BPM | ||
| Marina's Theme - The Wildflowers | Hanan Townshend | D♭ Minor | 1 | 12A | 92 BPM | ||
| A Game of Croquet | Jóhann Jóhannsson | E Minor | 0 | 9A | 118 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| Such Stuff That Dreams Are Made of | Conrad Pope | E Major | 1 | 12B | 88 BPM | ||
| Longing for Tatiana (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| May Have To Lose It | Clint Eastwood | C Major | 1 | 8B | 77 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Love in the Sky | Laurent Perez Del Mar | D Minor | 1 | 7A | 83 BPM | ||
| Edward's Story on the Train & Grace Is Gone | Alex Heffes | G Minor | 0 | 6A | 63 BPM | ||
| The Poet Acts | Philip Glass | G Minor | 0 | 6A | 84 BPM | ||
| Tema di Jane Eyre | Claudio Capponi, Alessio Vlad | A Major | 2 | 11B | 81 BPM | ||
| Young Imma | Pasquale Catalano | G Major | 0 | 9B | 120 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Après un rêve | HAUSER, London Symphony Orchestra | G Major | 0 | 9B | 120 BPM | ||
| Nocturne, B. 49: Lento con gran espressione in C-Sharp Minor | Frédéric Chopin, Janusz Olejniczak | D♭ Major | 0 | 3B | 94 BPM |