David Hopper's 'This Thing Called Jazz' had a release date set for July 25, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 11 in Bedroom Clubbing, Vol. 9 Essential Muzik Collection by Various Artists. Based on our statistics, This Thing Called Jazz's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of This Thing Called Jazz by David Hopper is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C | B Minor | 0 | 10A | 102 BPM | ||
| Like Disco - Original Mix | David Hopper | G Major | 7 | 9B | 126 BPM | ||
| Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | C Major | 1 | 8B | 143 BPM | ||
| Pictures at an Exhibition: Tuileries | Modest Mussorgsky, George Szell, The Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
| Raymonda, Act I: Variation 1 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D♭ Major | 1 | 3B | 127 BPM | ||
| Marche Caprice | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | C Major | 1 | 8B | 124 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 0 | 10B | 87 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Die Walküre: Magic Fire Music | Richard Wagner, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 80 BPM | ||
| Giselle, Act II: Entree de Loys - Pas de deux | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 144 BPM | ||
| Chant du rossignol: Le chant du rossignol | Igor Stravinsky, Seattle Symphony Orchestra, Gerard Schwarz | D Minor | 1 | 7A | 135 BPM | ||
| The Cuckoo In The Depths Of The Woods | St. Mark's Philharmonic Orchestra | E Major | 0 | 12B | 70 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: V. Aria italiana | Benjamin Britten, English Chamber Orchestra | A Major | 4 | 11B | 78 BPM | ||
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Hands | David Hopper | D♭ Major | 10 | 3B | 124 BPM | ||
| Sleeping Beauty, Op.66 (1993 - Remaster), Act I: The Spell: 5. Scène (Allegro vivo - Moderato) | André Previn, London Symphony Orchestra | D Major | 4 | 10B | 95 BPM | ||
| The Firebird Suite (1919 Version): I. Introduction | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 87 BPM | ||
| Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) | Franz Liszt, Vladimir Horowitz | B Major | 0 | 1B | 68 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
| Peter and the Wolf, Op. 67: I. Introduction | Wiener Opernorchester | A Minor | 1 | 8A | 85 BPM | ||
| Les sirènes: Entry of Fashionable Folk. Tempo di valse | Lord Berners, Miriam Blennerhasset, RTE Sinfonietta, David Lloyd-Jones | D Major | 2 | 10B | 175 BPM | ||
| Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |