"Autarch" by Conquering Dystopia had its release date on March 10, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 12 in Conquering Dystopia by Conquering Dystopia. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Autarch's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Autarch by Conquering Dystopia is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So It Begins | Octavision | D♭ Minor | 10 | 12A | 112 BPM | ||
| Synthesis of Matter | Dark Matter Secret | E Minor | 10 | 9A | 133 BPM | ||
| Ashes of Lesser Men | Conquering Dystopia | A Major | 10 | 11B | 135 BPM | ||
| Andromeda | Merrow | B♭ Minor | 10 | 3A | 120 BPM | ||
| The Riddle - Instrumental | The Raven Autarchy | B♭ Minor | 9 | 3A | 110 BPM | ||
| Free Fall | Anup Sastry | C Minor | 10 | 5A | 147 BPM | ||
| Ocean - II. Maelstrom | Pomegranate Tiger | G Minor | 9 | 6A | 110 BPM | ||
| Breaking the Great Narcissist | Soreption | G Major | 10 | 9B | 105 BPM | ||
| Coldly Calculated Design | The Faceless | A♭ Major | 10 | 4B | 122 BPM | ||
| Binomial Structures | Beyond Creation | F♯ Minor | 9 | 11A | 160 BPM | ||
| Breaking Damnation | Jason Richardson, Jacky Vincent | D Minor | 10 | 7A | 110 BPM | ||
| Particles Collide | Sithu Aye, Plini | G Major | 9 | 9B | 145 BPM | ||
| THE TOLL | Symbolic Field | E Minor | 10 | 9A | 80 BPM | ||
| Ataxia II | Within The Ruins | F Minor | 10 | 4A | 144 BPM | ||
| In Penitence | Alluvial | D♭ Major | 9 | 3B | 200 BPM | ||
| Uno Mas More | Mestís | A Minor | 9 | 8A | 140 BPM | ||
| . . . . _ | Angel Vivaldi | C Minor | 10 | 5A | 146 BPM | ||
| Isolated Incidents | Animals As Leaders | F♯ Major | 9 | 2B | 180 BPM | ||
| Kanangra | Scoredatura | G Major | 8 | 9B | 142 BPM | ||
| Feed The Wolf / Norway Jose (feat. Devin Townsend) | Haunted Shores, Devin Townsend | E Minor | 10 | 9A | 104 BPM | ||
| Semper Occultus | Echopraxia | G Major | 9 | 9B | 140 BPM | ||
| In the Face of the Nameless | Rabea Massaad | D♭ Major | 9 | 3B | 187 BPM | ||
| Ghost In The Machine | Paul Wardingham | A Minor | 9 | 8A | 100 BPM | ||
| The Right to Sorrow | Shokran | A♭ Major | 10 | 4B | 125 BPM | ||
| VI: The Exodus Of Autonomy - Instrumental | Wretched | E Minor | 8 | 9A | 200 BPM |