"Concerto Grosso No. 9 In F Major, Op. 6: IV. Gavotte: Allegro" by Arcangelo Corelli, Genadi Cherkasov, Chamber Orchestra of the Moscow Conservatory had its release date on January 1, 2009. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 64 in Corelli: Concerti Grossi by Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory, Genadi Cherkasov. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Concerto Grosso No. 9 In F Major, Op. 6: IV. Gavotte: Allegro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso No. 9 In F Major, Op. 6: IV. Gavotte: Allegro by Arcangelo Corelli, Genadi Cherkasov, Chamber Orchestra of the Moscow Conservatory is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
| Concerto Grosso in G Minor, Op. 1, No. 12: IV. Presto | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 72 BPM | ||
| Sonatae Violino Solo (1681): Sonata No. 2 in D | Heinrich Ignaz Franz von Biber, John Holloway | D♭ Minor | 3 | 12A | 124 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": II. Moderato | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 124 BPM | ||
| Concerto In Sol maggiore: Allegro | Modo Antiquo | F♯ Major | 1 | 2B | 111 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Concerto Grosso in D Major, Op. 3, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 130 BPM | ||
| Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Overture for 2 Violins and B.C. in A Major, Op. 13,5: II. Allegro | Jean-Marie Leclair, Musica Alta Ripa | F♯ Minor | 2 | 11A | 75 BPM | ||
| Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
| Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
| Oboe Concerto in E-Flat Major, Wq. 165, H. 468: I. Allegro | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | E♭ Major | 1 | 5B | 88 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : V. Allegro | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 1 | 7B | 152 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
| Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
| Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 93 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| V. Réjouissance | Georg Philipp Telemann, L'Orfeo Barockorchester, Carin van Heerden | F♯ Minor | 5 | 11A | 130 BPM | ||
| Concerto à 5 in E minor: 2. Andante | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 92 BPM | ||
| Corelli: Concerto grosso in D Major, Op. 6 No. 7: I. Vivace - Allegro - Adagio | Arcangelo Corelli, Claudio Scimone, I Solisti Veneti | D Minor | 2 | 7A | 147 BPM | ||
| Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
| Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 1. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 3 | 11B | 128 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM |