"マイ・ウェイ - 2025 Live Version" by Kanji Ishimaru had its release date on November 26, 2025. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 21 in the song's album "ORCHESTRA CONCERT 2025". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Japan. マイ・ウェイ - 2025 Live Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With マイ・ウェイ - 2025 Live Version by Kanji Ishimaru having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 闇が広がる [エリザベートより] | 涼風真世 | E Minor | 8 | 9A | 110 BPM | ||
| Part of Your World | Rion Misaki | G Major | 1 | 9B | 73 BPM | ||
| 母は僕を産んだ | Yu Shirota | F♯ Major | 2 | 2B | 96 BPM | ||
| タイム・トゥー・セイ・グッバイ | Lucio Quarantotto, Francesco Sartori, Frank Peterson, Minako Honda | G Major | 5 | 9B | 108 BPM | ||
| Top of the World | Naoto Kaiho, Minami Okamura, Ensemble-Shiki Theatre Company | B♭ Major | 3 | 6B | 102 BPM | ||
| 憂国のモリアーティ Op.5 | 鈴木勝吾, 平野良, 久保田秀敏, 山本一慶, 井澤勇貴, 長江崚行, 大湖せしる, 鎌苅 健太, 七木奏音, 髙木俊, 根本正勝, ミュージカル『憂国のモリアーティ』Op.5 | D Major | 6 | 10B | 143 BPM | ||
| 2ペンスを鳩に(メリー・ポピンズ) - 『メリー・ポピンズ』より | Richard M. Sherman, Robert B. Sherman, Fumio Yasuda, 飯島多恵, 磯部朱美子, 畠山洋美 | A♭ Major | 2 | 4B | 102 BPM | ||
| それ以上の…(ルドルフ ザ・ラスト・キス) [Live at Yomiuri Otemachi Hall, 2020/11/6] | 小野田龍之介, 昆夏美 | D♭ Major | 2 | 3B | 64 BPM | ||
| ゲームの始まり | Kenji Urai | B Minor | 6 | 10A | 140 BPM | ||
| 明日への扉 | 市川市立南行徳中学校 | E Major | 1 | 12B | 81 BPM | ||
| 絶望のどん底で | SHIKI THEATRE COMPANY | E♭ Major | 5 | 5B | 134 BPM | ||
| 罪の衣を身にまとい | 鈴木勝吾, 平野良, 久保田秀敏, 山本一慶, 井澤勇貴, 長江崚行, 鎌苅 健太, 七木奏音, 髙木俊, 川原一馬, 藤田玲, ミュージカル『憂国のモリアーティ』Op.4 | G Minor | 5 | 6A | 64 BPM | ||
| サウンド・オブ・ミュージック - ミュージカル「サウンド・オブ・ミュージック」より | 真彩希帆 | E♭ Major | 1 | 5B | 109 BPM | ||
| 白雲の城 | Kiyoshi Hikawa | A♭ Minor | 9 | 1A | 134 BPM | ||
| 神よ何故?(ミス・サイゴン) [Live at Yomiuri Otemachi Hall, 2020/11/6] | 小野田龍之介 | C Major | 3 | 8B | 79 BPM | ||
| あんな人が - ミュージカル「ジキル&ハイド」より | 真彩希帆 | E♭ Major | 1 | 5B | 109 BPM | ||
| Affection | Eusebio Hane | D Major | 1 | 10B | 179 BPM | ||
| MY WAY | 布施明 | C Minor | 3 | 5A | 77 BPM | ||
| Blessing - 2025 Live | Tokyo Philharmonic Orchestra | E♭ Major | 1 | 5B | 109 BPM | ||
| シチリアーナ | Ayaka Hirahara | G Minor | 2 | 6A | 64 BPM | ||
| 民衆の歌 | Kenji Urai | A♭ Major | 5 | 4B | 98 BPM | ||
| 民衆の歌 - 2022 Live Version | Kanji Ishimaru, 石川 禅, 今井 清隆, 坂元 健児 | B♭ Minor | 0 | 3A | 136 BPM | ||
| シャイニングスター | 音楽座ミュージカル | A♭ Major | 4 | 4B | 84 BPM | ||
| NO MORE ENCORE | Akina Nakamori | F Major | 3 | 7B | 78 BPM | ||
| Under their Rule | Butlers’ 歌劇『悪魔執事と黒い猫』~薔薇薫る舞踏会編~ | B♭ Minor | 4 | 3A | 96 BPM |