Ruth Rubin's ' "Shir Ha-Avoda" was released on its scheduled release date, January 1, 1959. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Shir Ha-Avoda's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruth Rubin's "Jewish Folk Songs" album is number 16 out of 16. On top of that, United States appears to be the country where this track was created. The popularity of Shir Ha-Avoda is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Shir Ha-Avoda by Ruth Rubin to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Iz Geven Amol A Pastukhl (Once Upon a Time, There was a Shepherd) | Ruth Rubin | B♭ Minor | 1 | 3A | 88 BPM | ||
| Trelawny | Heather Dale | F♯ Major | 3 | 2B | 196 BPM | ||
| Thousands Are Sailing To Amerikay | Dick Gaughan, Andy Irvine | D Minor | 4 | 7A | 100 BPM | ||
| Tight Circle | LAKXS | D Major | 1 | 10B | 206 BPM | ||
| Forn forstu fun mir avek - You Are Leaving Me | Ruth Rubin | B Major | 1 | 1B | 80 BPM | ||
| Anchor Song | Peter Bellamy | D♭ Major | 1 | 3B | 86 BPM | ||
| O, That I Had Ne'er Been Married | Rod Paterson | A Major | 3 | 11B | 180 BPM | ||
| All You Girls Ashore | Spitzer Space Telescope | E♭ Major | 2 | 5B | 80 BPM | ||
| Suantraí Hiúdaí | Skara Brae | C Major | 1 | 8B | 97 BPM | ||
| Swing Low Sweet Chariot Mashup | Thula Mama | B Major | 1 | 1B | 97 BPM | ||
| Springhill Mine Diaster | Theodore Bikel | D Major | 3 | 10B | 141 BPM | ||
| On to Thee | Maliktene | G Major | 0 | 9B | 133 BPM | ||
| Ffarwel fo i Langyfelach Lon | Navan | D♭ Major | 1 | 3B | 71 BPM | ||
| No Pressure | Khaleed Samir | C Major | 1 | 8B | 98 BPM | ||
| Migldi Magldi | Cerys Matthews, Bryn Terfel | C Major | 3 | 8B | 80 BPM | ||
| Come Over | Patricia Trevino | D♭ Major | 3 | 3B | 75 BPM | ||
| The Prickle - Holly Bush | The Watersons | D♭ Minor | 0 | 12A | 115 BPM | ||
| Rumple-Pye the Troll | The Wild Irish Roses | G Major | 9 | 9B | 117 BPM | ||
| Space | Martina Wright | C Major | 1 | 8B | 98 BPM | ||
| The Boys from the County Cork | Dominic Behan | D Major | 4 | 10B | 97 BPM | ||
| The Barley Mow | The Yetties | D Major | 4 | 10B | 103 BPM | ||
| Apart | KingKall | C Major | 0 | 8B | 102 BPM | ||
| Reality | Lawson ky | C Major | 1 | 8B | 98 BPM | ||
| The Oak and the Ash | Mat Williams | E Minor | 2 | 9A | 168 BPM | ||
| Tonts, Tonts Antkegn Mir | Ruth Rubin | E Minor | 2 | 9A | 161 BPM |