- BPM
- 96
- Key
- F Major
- Camelot
- 7B
A. Vucchella by Katia Ricciarelli Song Details
"A. Vucchella" by Katia Ricciarelli had its release date on April 26, 2012. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. A. Vucchella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Serenata". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. In terms of popularity, A. Vucchella is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With A. Vucchella by Katia Ricciarelli having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 29%
- Loudness
- -14.238 dB
- Acousticness
- 99%
- Danceability
- 37%
- Energy
- 20%
- Instrumentalness
- 12%
- Liveness
- 14%
- Loudness
- 76%
- Speechiness
- 5%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | |
 | Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | |
 | L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | |
 | Verdi: Don Carlo, Act 2: "Non pianger, mia compagna" (Elisabetta, Rodrigo, Filippo, Coro) | Giuseppe Verdi, Carlo Maria Giulini, Ambrosian Opera Chorus, Montserrat Caballé, Ruggero Raimondi, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 76 BPM | |
 | L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | |
 | La clemenza di Tito, K. 621 / Act I: "Ah perdona al primo affetto" | Wolfgang Amadeus Mozart, Anna Netrebko, Elina Garanca, Staatskapelle Dresden, Sebastian Weigle | A Major | 1 | 11B | 87 BPM | |
 | Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | |
 | Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | |
 | Ideale | Katia Ricciarelli | A Major | 1 | 11B | 70 BPM | |
 | Eugene Onegin, Op. 24, TH 5: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | |
 | Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | |
 | La Chulapona: "Ese Pañuelito Blanco" | Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal | D♭ Major | 4 | 3B | 82 BPM | |
 | Après un rêve | Gabriel Fauré, Véronique Gens, I Giardini | F Minor | 1 | 4A | 64 BPM | |
 | Messa da Requiem: 5. Agnus Dei | Giuseppe Verdi, Katia Ricciarelli, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | D♭ Major | 2 | 3B | 79 BPM | |
 | Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | |
 | Il natal d'Apollo: Ombra dolente (Alceo) | Vincenzo Righini, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 0 | 9B | 70 BPM | |
 | Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | |
 | Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | |
| Quella fiamma che m'accende | Benedetto Marcello, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 132 BPM | |
 | Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | |
 | Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | |
 | Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | |
 | Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | |
 | Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM | |
 | Yerevan | Montserrat Caballé, Montserrat Marti | C Minor | 3 | 5A | 185 BPM |
- ISRC
- ITD560202071
- Label
- L-M Records/RCA Records