Ben Bostick's ' "Too Dark to Tell" was released on its scheduled release date, April 17, 2020. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in Among the Faceless Crowd by Ben Bostick. Too Dark to Tell is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Too Dark to Tell by Ben Bostick is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coyotes | Don Edwards | D Major | 1 | 10B | 93 BPM | ||
| The Woods | The White Buffalo | E Minor | 2 | 9A | 138 BPM | ||
| The Weary Kind | Ryan Bingham | D Major | 3 | 10B | 100 BPM | ||
| Stay Out | Elliott BROOD | B♭ Major | 7 | 6B | 89 BPM | ||
| Why Do You Still Hurt | Pastis | C Major | 7 | 8B | 74 BPM | ||
| Valley | Kevin Morby | D♭ Minor | 6 | 12A | 80 BPM | ||
| Each and Every Day | Crosstown Traffic | D♭ Major | 2 | 3B | 94 BPM | ||
| One Thing | Tami Neilson | A Minor | 5 | 8A | 115 BPM | ||
| It'll Be Alright | Cody Francis | A♭ Major | 5 | 4B | 137 BPM | ||
| Black Lung | The Dead South | E Minor | 5 | 9A | 123 BPM | ||
| Soldier's Eyes | Jack Savoretti | G Major | 3 | 9B | 110 BPM | ||
| Above the Clouds | Sunriver | D Major | 6 | 10B | 114 BPM | ||
| Direction | The Nightjars | C Minor | 4 | 5A | 100 BPM | ||
| Solstice Days | Goodnight, Texas | C Major | 3 | 8B | 87 BPM | ||
| The End | Sture Zetterberg, Red Revision | D♭ Major | 4 | 3B | 98 BPM | ||
| The Rascal Is Back | Ben Bostick | D♭ Major | 8 | 3B | 105 BPM | ||
| Me and Lilly | Driftwood Holly | C Major | 2 | 8B | 172 BPM | ||
| Fantasy | The White Buffalo | C Major | 6 | 8B | 124 BPM | ||
| Burning Down the Road | Ben Bostick | E♭ Major | 3 | 5B | 120 BPM | ||
| Still Drunk, Still Crazy, Still Blue | Scott H. Biram | G Major | 5 | 9B | 185 BPM | ||
| Floyd Hill | Shulman Smith | F♯ Major | 5 | 2B | 94 BPM | ||
| Dinner in the Yard | Binkley | A Major | 4 | 11B | 93 BPM | ||
| Into the New | Thomas Hien | E Major | 5 | 12B | 89 BPM | ||
| Rising Sun | Jon and Roy | C Minor | 5 | 5A | 130 BPM | ||
| Seven Colts | Jon and Roy | C Major | 5 | 8B | 120 BPM |