George Frideric Handel, Christopher Tipping, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock's 'The Dettingen Te Deum: II. All The Earth Does Worship Thee' had a release date set for January 1, 1984. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Dettingen Te Deum: II. All The Earth Does Worship Thee's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock's "Handel: Dettingen Te Deum; Dettingen Anthem" album is number 2 out of 23. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Dettingen Te Deum: II. All The Earth Does Worship Thee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Dettingen Te Deum: II. All The Earth Does Worship Thee by George Frideric Handel, Christopher Tipping, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass in D Minor, Hob. XXII:11 "Nelson Mass": IV. Sanctus | Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 1 | 3B | 121 BPM | ||
| Bach, JS: Mass in G Minor, BWV 235: Gloria | Johann Sebastian Bach, Philippe Herreweghe/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent, Collegium Vocale Gent, Philippe Herreweghe, Orchestra of Collegium Vocale Gent | F♯ Minor | 2 | 11A | 101 BPM | ||
| Semele, HWV 58 / Act 1: Daughter, Obey | George Frideric Handel, Samuel Ramey, Michael Chance, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 102 BPM | ||
| Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
| Christmas Suite: IV. Sarabande | Alec Rowley, London Choral Sinfonia, Michael Waldron | C Major | 2 | 8B | 124 BPM | ||
| In nativitatem Domini canticum, H. 416: No. 11, Exultemus, jubilemus | Marc-Antoine Charpentier, The Monteverdi Choir, English Baroque Soloists, Christophe Rousset, Florian Störtz, Samuel Boden | D♭ Minor | 2 | 12A | 97 BPM | ||
| Gloria, RV 589: XII. Cum Sancto Spiritu | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | D♭ Major | 2 | 3B | 96 BPM | ||
| Angels from the realms of glory (arr. David Wilcocks) | Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | G Major | 2 | 9B | 127 BPM | ||
| Vom Himmel hoch: I. Chor "Vom Himmel hoch, da komm ich her" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Minor | 2 | 8A | 83 BPM | ||
| For Unto Us A Child Is Born | London Philharmonic Orchestra | G Major | 3 | 9B | 99 BPM | ||
| Away in a manger | William J. Kirkpatrick, harm Martin Neary, The Choir Of Westminster Abbey, Martin Neary | A Minor | 0 | 8A | 121 BPM | ||
| Gloria in D Major, RV 589: 1. Gloria in excelsis Deo | Antonio Vivaldi, The English Concert Choir, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 126 BPM | ||
| Mass No.2 in G Major, D.167: IV. Sanctus | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | ||
| King Jesus Hath a Garden | King's College Choir | A Major | 1 | 11B | 78 BPM | ||
| Messiah, HWV 56: Part 1: And He shall purify (Chorus) | Nikolaus Harnoncourt | F♯ Minor | 2 | 11A | 138 BPM | ||
| Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
| II. Comfort ye my people | London Philharmonic Orchestra | B Major | 2 | 1B | 77 BPM | ||
| Ave verum corpus, K.618 | Wolfgang Amadeus Mozart, St. Paul's Cathedral Choir, English Chamber Orchestra, Barry Rose | B Major | 2 | 1B | 82 BPM | ||
| Gloria: Domine Fili unigenite | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 2 | 12B | 79 BPM | ||
| Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesu, Joy of Man's Desiring" (Arr. Balsom for Trumpet, Choir and Organ) | Alison Balsom, Tom Etheridge, Choir of King's College, Cambridge | G Major | 2 | 9B | 73 BPM | ||
| Vivaldi: Dixit Dominus in D Major, RV 594: X. Sicut erat in principio | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | A♭ Major | 3 | 4B | 110 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Oratorio de Noël, Op. 12: Duet. Benedictus qui venit (Soprano, Basso) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| Gloria: Gratias agimus tibi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 3 | 5B | 80 BPM | ||
| Mozart: Mass No. 15 in C Major, K. 317 "Coronation Mass": V. Benedictus | Wolfgang Amadeus Mozart, Peter Neumann, Christoph Prégardien, Franz-Josef Selig, Kölner Kammerchor, Patrizia Kwella, Ulla Groenewold, Collegium Cartusianum | E♭ Major | 0 | 5B | 91 BPM |