"Blast Radius / Cardiogram" by Max Richter had its release date on September 2, 2016. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Richter's "Morgan (Original Motion Picture Soundtrack)" album is number 15 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Blast Radius / Cardiogram's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blast Radius / Cardiogram by Max Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Argenté | Rob Simonsen | D♭ Major | 0 | 3B | 77 BPM | ||
| Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D Major | 1 | 10B | 88 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| Path 17 (Before the Ending of Daylight) - Pt. 1 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | D Minor | 0 | 7A | 69 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM | ||
| The Mist: Pt. 1 | Frans Bak, Mari Samuelsen, Hakon Samuelsen, Keld Haaning Ibsen, TrondheimSolistene | C Minor | 1 | 5A | 76 BPM | ||
| Current | Phoria | A♭ Minor | 1 | 1A | 78 BPM | ||
| Ships Along the Harbor | Slow Meadow | F Major | 1 | 7B | 116 BPM | ||
| As I Was | Olivia Belli | D♭ Major | 1 | 3B | 140 BPM | ||
| Music For Growing Flowers - Pt. 4 | Erland Cooper | C Major | 2 | 8B | 100 BPM | ||
| Misneach | Sebastian Plano | D Minor | 4 | 7A | 80 BPM | ||
| A Pile of Dust | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 1 | 4B | 81 BPM | ||
| Different Kinds Of Cry | Alexis Grapsas | B♭ Major | 0 | 6B | 84 BPM | ||
| The Monolith | Gabríel Ólafs | E♭ Major | 0 | 5B | 100 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| By Night | Sophie Hutchings | B♭ Major | 2 | 6B | 104 BPM | ||
| New York | RIOPY | E Major | 2 | 12B | 165 BPM | ||
| Vladimir's Blues 2018 | Max Richter | A Major | 2 | 11B | 99 BPM | ||
| Pauvre Simon | Sylvain Chauveau | A Minor | 2 | 8A | 147 BPM | ||
| Timelapse | Uno Helmersson, Mari Samuelsen, Jesper Söderqvist, Gunnar Flagstad, TrondheimSolistene | G Minor | 2 | 6A | 105 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| 183 Times | Greg Haines | B♭ Major | 3 | 6B | 111 BPM | ||
| Biomes | James Heather | E♭ Major | 1 | 5B | 127 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM |