Robert Hood's 'Drive (The Age Of Automation)' had a release date set for September 17, 2012. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Robert Hood's "Motor: Nighttime World 3" album is number 7 out of 12. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Drive (The Age Of Automation)'s popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Drive (The Age Of Automation) by Robert Hood to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Exile 007 B1 | Johannes Heil | A Major | 9 | 11B | 129 BPM | ||
| O-Ton Reassembled 7 | Luke Slater | B Minor | 4 | 10A | 132 BPM | ||
| Atol - 2014 Remaster | Surgeon | D♭ Major | 9 | 3B | 128 BPM | ||
| Se Mkii | Aoud | D Major | 7 | 10B | 128 BPM | ||
| CLK Recovery | Objekt | B♭ Minor | 9 | 3A | 133 BPM | ||
| No Time Soon | Mark Broom, James Ruskin | B Minor | 8 | 10A | 127 BPM | ||
| Vortekz | Vril | A Minor | 10 | 8A | 123 BPM | ||
| The End | Len Faki, Regal | D♭ Major | 5 | 3B | 128 BPM | ||
| Exile 007 B2 | Johannes Heil | B♭ Minor | 6 | 3A | 129 BPM | ||
| Before the Crash | Gary Beck | B Minor | 9 | 10A | 125 BPM | ||
| By Night, Pt. Three | Johannes Heil | C Major | 9 | 8B | 129 BPM | ||
| Rotate | Robert Hood | F♯ Major | 8 | 2B | 125 BPM | ||
| Napoleon Hill - Original Mix | Ben Klock | F♯ Minor | 8 | 11A | 124 BPM | ||
| Spell A | Planetary Assault Systems | D♭ Minor | 7 | 12A | 133 BPM | ||
| Souldancer - Jonas Kopp Remix | Heiko Laux, Jonas Kopp | D Major | 4 | 10B | 129 BPM | ||
| Sentient | Sector Y | B Minor | 7 | 10A | 130 BPM | ||
| 4Art | Jeff Mills | B♭ Minor | 10 | 3A | 128 BPM | ||
| Day After | Shed | A Minor | 6 | 8A | 123 BPM | ||
| Stained Glass Shadows (Robert Hood Remix) - Mixed | Oliver Way, Robert Hood | B Minor | 7 | 10A | 124 BPM | ||
| Becoming | Volvox | E Major | 7 | 12B | 128 BPM | ||
| Acid Atmosphere | Jordan Fields | B♭ Minor | 6 | 3A | 130 BPM | ||
| Twilight | Planetary Assault Systems | E Minor | 9 | 9A | 130 BPM | ||
| Track 5 - Robert Hood Remix | Tommy Four Seven, Robert Hood | D♭ Major | 9 | 3B | 130 BPM | ||
| Delirium Tremens - Robert Hood Remix | Benjamin Damage, Robert Hood | F♯ Major | 9 | 2B | 129 BPM | ||
| Burden Of Proof | Ø [Phase] | C Major | 8 | 8B | 131 BPM |