Johann Sebastian Bach, Akademie für Alte Musik Berlin, Klaus Hager, RIAS Kammerchor, René Jacobs's 'Christmas Oratorio, BWV 248: Part I, 8. Arie "Großer Herr und starker König"' had a release date set for October 20, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, René Jacobs's "J.S. Bach: Christmas Oratorio" album is number 8 out of 65. On top of that, France appears to be the country where this track was created. Christmas Oratorio, BWV 248: Part I, 8. Arie "Großer Herr und starker König" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christmas Oratorio, BWV 248: Part I, 8. Arie "Großer Herr und starker König" by Johann Sebastian Bach, Akademie für Alte Musik Berlin, Klaus Hager, RIAS Kammerchor, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Martha Argerich | F♯ Major | 3 | 2B | 104 BPM | ||
| Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
| Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 3. Allegro | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 3 | 1B | 82 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, François-Frédéric Guy | A♭ Major | 0 | 4B | 170 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
| Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Philippe Collard, Gabriel Tacchino, Michel Béroff, Orchestre de chambre de Paris, Jean-Pierre Wallez | C Major | 2 | 8B | 83 BPM | ||
| Bach / Busoni: Toccatas and Fugues, BV B29: No. 2, Toccata and Fugue in D Minor: Fugue (After Bach's BWV 565) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | F♯ Major | 0 | 2B | 85 BPM | ||
| Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
| Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Dina Ugorskaja | D Minor | 0 | 7A | 112 BPM | ||
| Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | ||
| Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
| Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | ||
| Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
| Flute Sonata in E Minor, BWV 1034: III. Andante | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo, Anssi Mattila | G Major | 0 | 9B | 104 BPM | ||
| Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Philippe Collard, Gabriel Tacchino, Michel Béroff, Orchestre de chambre de Paris, Jean-Pierre Wallez | C Major | 2 | 8B | 83 BPM | ||
| Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture | Johann Sebastian Bach, Ludwig Güttler, Matthias Schmutzler, Roland Rudolph, Thomas Käppler, Andreas Lorenz, Manfred Krause, Günter Klier, Virtuosi Saxoniae | A Major | 1 | 11B | 77 BPM | ||
| IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
| Sonata in D Minor, Kk. 1 (Allegro) | Domenico Scarlatti, Pieter-Jan Belder | A♭ Minor | 2 | 1A | 73 BPM | ||
| The Four Seasons, Spring, Violin Concerto in E Major, RV 269, Op. 8 No. 1: I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 105 BPM | ||
| Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Ivo Pogorelich | B Minor | 0 | 10A | 147 BPM |