Studio Krishna Bhanvad's ' "Nana Hata Ne BHEGA RAMTA || નાના હતા ને ભેગા રમતા || Rashmita Rabari" was released on its scheduled release date, June 20, 2025. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Nana Hata Ne BHEGA RAMTA || નાના હતા ને ભેગા રમતા || Rashmita Rabari and no other songs are present in the album, we classify this track as a single. Based on our statistics, Nana Hata Ne BHEGA RAMTA || નાના હતા ને ભેગા રમતા || Rashmita Rabari's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Nana Hata Ne BHEGA RAMTA || નાના હતા ને ભેગા રમતા || Rashmita Rabari by Studio Krishna Bhanvad having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare Hoi Dwarika Valo Re (Dwarika No Nath Niralo) | Govind Gadhvi, Gopal Bharwad | A♭ Minor | 7 | 1A | 184 BPM | ||
| Zini Moraliyu Vage Che | Rasmita Rabari | E♭ Major | 7 | 5B | 114 BPM | ||
| Mankho Janm Sudharo | Shyam Paliwal | A♭ Major | 6 | 4B | 73 BPM | ||
| Badhai Mat Kar Man Me Gela | Shyam Paliwal | A Major | 7 | 11B | 129 BPM | ||
| Vir Ne Jari Bharela Safa | Pintu Algotar | B♭ Minor | 9 | 3A | 190 BPM | ||
| Kem Bhuli Tu Maro Pyar | Jignesh Kaviraj | F Minor | 10 | 4A | 65 BPM | ||
| HAJARO HATHIDA ||હજારો હાથીડા | Studio Krishna Bhanvad, Rashmita Rabari | G Minor | 9 | 6A | 140 BPM | ||
| Meldi Maa No Verag | JK Timba | B♭ Major | 8 | 6B | 133 BPM | ||
| Dodati Aave Re Mogal Maa | Parth Gadhavi, Jaydan Gadhavi | G Major | 8 | 9B | 168 BPM | ||
| Upar Chhallo Prem Na Batavsho | Jignesh Barot | A♭ Major | 9 | 4B | 90 BPM | ||
| Tara Mate Maan Chhe | Vijay Suvada | F♯ Major | 9 | 2B | 125 BPM | ||
| Mara Aabhe Jeva Teka | Pintu Algotar | D♭ Major | 10 | 3B | 87 BPM | ||
| Veya Bole Mari Mata Chhotu Thava Nae Eu | Vijay Suvada, Alvira Mir | D Major | 8 | 10B | 136 BPM | ||
| Koi Jontu Ntu Jonita Te Karya | Jayesh Kharvada | A Minor | 7 | 8A | 127 BPM | ||
| Laagani | Kajal Maheriya | A♭ Major | 6 | 4B | 116 BPM | ||
| VIP Veero Maro Varaaja | Anil Bharwad, Rinku Bharwad | C Minor | 9 | 5A | 113 BPM | ||
| Navli Navrat (Aai Shree Bandhvada Meldi Ma) | Gopal Bharwad | B Major | 8 | 1B | 137 BPM | ||
| Sonal Mata - Original | Jignesh Barot, Sagardan Gadhvi | A Major | 8 | 11B | 143 BPM | ||
| Dard | Rakesh Barot | A♭ Minor | 5 | 1A | 75 BPM | ||
| Nandgopala | Kaushik Bharwad, Priyal Chauhan, Manish Bhanushali | E Major | 8 | 12B | 127 BPM | ||
| Bade Chhe Dudh Ne Vakhan Cha Na Thay Chhe | Dilip Thakor, Manish Thakor | A Major | 7 | 11B | 129 BPM | ||
| Dil Ma lai Ne Dard Fare | Aryan Barot | D♭ Major | 9 | 3B | 100 BPM | ||
| Ekla Padya | Dilip Thakor | F♯ Minor | 9 | 11A | 52 BPM | ||
| Prem Ni Vatu | Rajbha Gadhvi Gir | C Major | 6 | 8B | 204 BPM | ||
| Kede Katari | Poonam Gadhavi | D Major | 7 | 10B | 140 BPM |