"線でつながる過去" by SIE Sound Team had its release date on March 13, 2013. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 線でつながる過去's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "SOUL SACRIFICE オリジナルサウンドトラック". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Japan. 線でつながる過去 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 線でつながる過去 by SIE Sound Team having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ebrietas, Daughter of the Cosmos | SIE Sound Team | A Major | 6 | 11B | 134 BPM | ||
| The Twin Moon Knight | Tai Tomisawa | E♭ Major | 7 | 5B | 178 BPM | ||
| Quest for a Cure | Borislav Slavov | D Minor | 1 | 7A | 119 BPM | ||
| Song of Honor | Tsukasa Saitoh | B Minor | 1 | 10A | 103 BPM | ||
| 異形の者達~巨像との戦い~ | SIE Sound Team | F Major | 5 | 7B | 130 BPM | ||
| The Incomplete Stone | SQUARE ENIX MUSIC | C Minor | 9 | 5A | 110 BPM | ||
| Tierras de Azafrán | Carlos Viola | A Major | 1 | 11B | 127 BPM | ||
| By Three They Come | Ryan Amon | G Minor | 6 | 6A | 66 BPM | ||
| Jack’s Theme | Naoshi Mizuta | F♯ Minor | 6 | 11A | 101 BPM | ||
| Arche Abbey | Lies of P | G Minor | 4 | 6A | 80 BPM | ||
| Return to Slumber | SIE Sound Team | C Minor | 2 | 5A | 60 BPM | ||
| The Ultimate Weapon | SQUARE ENIX MUSIC | F Minor | 3 | 4A | 80 BPM | ||
| Town in Chaos | Stuart Chatwood | A Major | 10 | 11B | 144 BPM | ||
| Dark Sun Gwyndolin | Motoi Sakuraba | D Major | 7 | 10B | 142 BPM | ||
| To Sail Forbidden Seas | 祖堅 正慶 | D Major | 7 | 10B | 108 BPM | ||
| Alien Manifestation | 岡部啓一, 帆足圭吾 | A Major | 5 | 11B | 144 BPM | ||
| The Darkest of Days | Piotr Musiał | F Minor | 3 | 4A | 87 BPM | ||
| Reaper of Souls | Derek Duke, Diablo, Blizzard Entertainment | E Minor | 4 | 9A | 87 BPM | ||
| Darkeater Midir | Yuka Kitamura | D♭ Major | 5 | 3B | 114 BPM | ||
| Elden Ring | Tsukasa Saitoh | D♭ Minor | 6 | 12A | 119 BPM | ||
| The Promised Consort | Shoi Miyazawa | E♭ Major | 7 | 5B | 178 BPM | ||
| Bloody Tears | Yoann Laulan, Konami Kukeiha Club | D♭ Major | 6 | 3B | 116 BPM | ||
| Dark Colossus - Kaiju | 帆足圭吾, 岡部啓一 | A♭ Major | 5 | 4B | 115 BPM | ||
| Dark Souls 3 | Yuka Kitamura | A Minor | 4 | 8A | 186 BPM | ||
| Therion, the Thief | Yasunori Nishiki | E Minor | 3 | 9A | 84 BPM |