"Pictures at an Exhibition: Samuel Goldenberg und Schmuÿle" by Modest Mussorgsky, Juan Francisco Otón had its release date on September 3, 2025. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Pictures at an Exhibition: Samuel Goldenberg und Schmuÿle's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in "057 Classical Music Essentials": Angelico, so we believe that "Pictures at an Exhibition: Samuel Goldenberg und Schmuÿle" is a single. Pictures at an Exhibition: Samuel Goldenberg und Schmuÿle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pictures at an Exhibition: Samuel Goldenberg und Schmuÿle by Modest Mussorgsky, Juan Francisco Otón is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
| Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | A Major | 0 | 11B | 65 BPM | ||
| Mephisto Waltz No. 1, S. 514 | Franz Liszt, Evgeny Kissin | D♭ Minor | 2 | 12A | 70 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
| Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | A Major | 1 | 11B | 100 BPM | ||
| La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
| The Hebrides Overture, Op. 26, MWV P7 "Fingal's Cave" | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
| Piano Concerto: III. Allegro agitato | George Gershwin, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 2 | 5A | 140 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | C Major | 2 | 8B | 80 BPM | ||
| Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
| Symphony in C Major, GB 115: III. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 116 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
| Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch | D Major | 2 | 10B | 81 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
| The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Version for Orchestra) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
| Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 82 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |