Willie Bradley's ' "Introducing Willie Bradley" was released on its scheduled release date, February 4, 2014. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Introducing Willie Bradley's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 9 in Another Day & Time by Willie Bradley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Introducing Willie Bradley's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Introducing Willie Bradley by Willie Bradley is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pushin' On | Lin Rountree | F Major | 5 | 7B | 97 BPM | ||
| Table For Two - Radio Remix | Darren Rahn | C Minor | 6 | 5A | 140 BPM | ||
| Diamond Dress | Lisa Addeo | A Major | 1 | 11B | 144 BPM | ||
| Midnight Drive | Michael Lington | F Minor | 5 | 4A | 109 BPM | ||
| Soulfully | Ryan Montano | E Minor | 8 | 9A | 105 BPM | ||
| Now or Never | Darryl Williams, Jonathan Fritzen | F Minor | 7 | 4A | 101 BPM | ||
| Smooth Groove | Nathan Mitchell | F Minor | 7 | 4A | 82 BPM | ||
| The Sax Pack | The Sax Pack | G Major | 7 | 9B | 99 BPM | ||
| Third Wish | Joyce Cooling | D♭ Major | 8 | 3B | 105 BPM | ||
| Sweet Sticky Thing | Ragan Whiteside | C Major | 6 | 8B | 102 BPM | ||
| Inside Myself | Art Porter | A♭ Major | 6 | 4B | 170 BPM | ||
| 1979 (feat. Michael Broening) | Roberto Restuccia, Michael Broening | A Minor | 4 | 8A | 74 BPM | ||
| Love Crash | Ryan Montano, Phil Denny | D Minor | 5 | 7A | 95 BPM | ||
| Kickin' It | Joe McBride | B Minor | 6 | 10A | 99 BPM | ||
| Jam It | Ragan Whiteside | F Minor | 5 | 4A | 100 BPM | ||
| The Music's Right (feat Willie Bradley, Brian Dougherty, Robert Reid, & Kermit "Puncho" Forrest) | Big Bertha, Willie Bradley, Robert Reid, Kermit “Puncho” Forrest, Brian Dougherty | B Minor | 9 | 10A | 121 BPM | ||
| On The One | Adam Hawley | B♭ Major | 7 | 6B | 90 BPM | ||
| Twilight | Randy Scott | B♭ Minor | 7 | 3A | 91 BPM | ||
| Sample That | Skinny Hightower | D♭ Minor | 8 | 12A | 100 BPM | ||
| Leave It to the Gods | D.S. Wilson | B Minor | 8 | 10A | 96 BPM | ||
| We'll Make It Last | Doc Powell | G Major | 8 | 9B | 101 BPM | ||
| Workin' | Jazz Holdouts | F Major | 7 | 7B | 100 BPM | ||
| Babadoo | Jazz Holdouts | D Major | 7 | 10B | 95 BPM | ||
| Uptown Philly | Gail Jhonson, Mike Parlett | F Minor | 7 | 4A | 113 BPM | ||
| If It Isn't Love | James 'PJ' Spraggins | B♭ Minor | 7 | 3A | 98 BPM |