Horacio Molina's ' "El Día Que Me Quieras" was released on its scheduled release date, January 1, 1992. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Tango Canción". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Spain. Based on our statistics, El Día Que Me Quieras's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With El Día Que Me Quieras by Horacio Molina having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hasta siempre amor | Orquesta Típica Misteriosa Buenos Aires | A Minor | 3 | 8A | 67 BPM | ||
| Delirio Gaucho | Alberto Merlo | G Minor | 4 | 6A | 90 BPM | ||
| Pero Yo Sé | Soledad Villamil | G Major | 4 | 9B | 90 BPM | ||
| Rumor de Seda | RICHAR MT | A Major | 3 | 11B | 61 BPM | ||
| Rubí | Horacio Molina | A Major | 2 | 11B | 47 BPM | ||
| Alfonsina y el Mar | Ginamaría Hidalgo | F Minor | 2 | 4A | 134 BPM | ||
| Anclao en París | Adriana Varela | A Major | 3 | 11B | 120 BPM | ||
| Malevaje | Susana Rinaldi | G Minor | 2 | 6A | 103 BPM | ||
| Retablo de Andalucía, Parte 2 | Bernardo el de los Lobitos, Manolo el Sevillano | B Major | 2 | 1B | 109 BPM | ||
| Luna de Café | RICHAR MT | A Major | 3 | 11B | 61 BPM | ||
| No Nos Iremos Nunca | Mariana Quinteros | F Minor | 5 | 4A | 106 BPM | ||
| Pasional | Rúben Juárez | C Minor | 2 | 5A | 93 BPM | ||
| Caminito | Hugo Del Carril | D Major | 2 | 10B | 116 BPM | ||
| Rincón de Espera | crabzyph | A Major | 3 | 11B | 61 BPM | ||
| Espiral | José Luis Barba Bonet | E Minor | 7 | 9A | 100 BPM | ||
| Ninguna | Horacio Molina | A Major | 2 | 11B | 47 BPM | ||
| Humillame | Oscar Agudelo | D Minor | 2 | 7A | 93 BPM | ||
| Convencernos (with Eladia Blázquez) | Chico Novarro, Eladia Blázquez | B Minor | 4 | 10A | 127 BPM | ||
| La Nochera | Horacio Molina | F♯ Major | 1 | 2B | 126 BPM | ||
| Fumando Espero | Donato Racciatti y Su Orquesta Típica, Olga Del Grossi | F Minor | 5 | 4A | 124 BPM | ||
| Nostalgias | Maria Graña | A Minor | 3 | 8A | 90 BPM | ||
| La Última Copa | Ada Falcón | A Minor | 1 | 8A | 121 BPM | ||
| Milonga del 900 | Horacio Molina | A♭ Major | 2 | 4B | 142 BPM | ||
| Nada | Amores Tangos, Julia Zenko | F Major | 3 | 7B | 87 BPM | ||
| La Calle Del Agujero En La Media | Cuarteto Cedrón | F♯ Minor | 6 | 11A | 99 BPM |