On 1970, the song "Cuban Boogie Woogie" was released by Andy Kirk. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Cuban Boogie Woogie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andy Kirk's "Instrumentally Speaking" album is number 28 out of 139. The popularity of Cuban Boogie Woogie is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cuban Boogie Woogie by Andy Kirk to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jones | Duke Ellington's Spacemen | D♭ Major | 2 | 3B | 145 BPM | ||
| 47th street jive | Andy Kirk & His 12 clouds of Joy, Andy Kirk | G Major | 4 | 9B | 107 BPM | ||
| Pompton Turnpike | Charlie Barnet & His Orchestra | F Minor | 2 | 4A | 86 BPM | ||
| It's Tight Like That! | The Basin Street Brawlers | G Major | 1 | 9B | 127 BPM | ||
| The Flat Foot Floogie | Slim Gaillard | C Major | 4 | 8B | 88 BPM | ||
| Sheik of Araby | Kid Ory, Marty Marsala, Darnell Howard, Cedric Haywood, Charles Oden, Earl Watkins | B♭ Major | 5 | 6B | 97 BPM | ||
| Give her a pint (and she'll tell it all) | Andy Kirk & His 12 clouds of Joy, Andy Kirk | B♭ Major | 5 | 6B | 107 BPM | ||
| Hors D'oeuvre | The Big 18 | E♭ Major | 3 | 5B | 143 BPM | ||
| Castle Rock | Johnny Hodges & His Orchestra | A♭ Major | 3 | 4B | 171 BPM | ||
| (Keep It) In The Groove | Andy Kirk, Mary Lou Williams | A♭ Major | 4 | 4B | 116 BPM | ||
| Tuxedo Junction | Erskine Hawkins & His Orchestra | B♭ Major | 3 | 6B | 147 BPM | ||
| He Ain't Got Rhythm | Henry "Red" Allen | G Major | 4 | 9B | 107 BPM | ||
| Ow! | Lucky Millinder | D♭ Major | 8 | 3B | 122 BPM | ||
| Caldonia | Woody Herman & His Orchestra | F Minor | 8 | 4A | 133 BPM | ||
| Until The Real Thing Comes Along | Andy Kirk | G Major | 0 | 9B | 88 BPM | ||
| Look-A There (06-27-38) | Slim Gaillard | C Major | 2 | 8B | 90 BPM | ||
| Bottom's Up | Illinois Jacquet | D♭ Major | 4 | 3B | 97 BPM | ||
| Jumpin' With Symphony Sid | Brooks Prumo Orchestra | C Major | 5 | 8B | 174 BPM | ||
| Silent George | Lucky Millinder | B♭ Major | 5 | 6B | 132 BPM | ||
| The Gal From Joe's | Charlie Barnet | E♭ Major | 6 | 5B | 92 BPM | ||
| My Blue Heaven | Southside Aces | E♭ Major | 4 | 5B | 152 BPM | ||
| The Darktown Strutters' Ball | Jimmy Dorsey | G Major | 4 | 9B | 107 BPM | ||
| Basin Street Blues | Bob Crosby, Andy Kirk, June Richmond | F Major | 5 | 7B | 143 BPM | ||
| Communications (12-22-47) | Slim Gaillard | G Major | 5 | 9B | 177 BPM | ||
| For Dancers Only | Jimmie Lunceford | C Minor | 3 | 5A | 154 BPM |