The Rochester Pops's 'Please Please Me/A Hard Day's Night' had a release date set for September 15, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Beatles' Greatest Hits". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, Please Please Me/A Hard Day's Night's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Please Please Me/A Hard Day's Night by The Rochester Pops having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morning Train | Ron Goodwin | A Minor | 3 | 8A | 125 BPM | ||
| Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
| No Where To Go But Up (from "Mary Poppins Returns") | Guy Dearden | B Minor | 4 | 10A | 140 BPM | ||
| 虹の彼方に | マントヴァーニ楽団 | D Major | 1 | 10B | 93 BPM | ||
| Echoes Of Harlem | The Rochester Pops | F Minor | 2 | 4A | 78 BPM | ||
| Around The World In 80 Days - Overture | Victor Young | E♭ Major | 2 | 5B | 126 BPM | ||
| Debussy: Children's Corner, L. 119: VI. Golliwog's Cake-walk (Orch. Caplet) | Claude Debussy, André Cluytens, Orchestre National Radiodiffusion Française | A Major | 4 | 11B | 119 BPM | ||
| Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | A Major | 4 | 11B | 119 BPM | ||
| Hirap Ng Umibig | Pedro Concepcion | B♭ Major | 2 | 6B | 105 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Vegan on the Way | Shelly | G Minor | 1 | 6A | 69 BPM | ||
| Volare | Tony Mottola | A Minor | 2 | 8A | 108 BPM | ||
| おんな太閤記 - 2024 Live Version | キンボー・イシイ, NHK Symphony Orchestra | E Minor | 0 | 9A | 125 BPM | ||
| The Legend Of The Glass Mountain | Annunzio Paolo Mantovani | C Major | 2 | 8B | 93 BPM | ||
| Let Me Call You Sweetheart | Memphis Jazz Orchestra | A Major | 2 | 11B | 172 BPM | ||
| Getting To Know You | Lawrence Welk | G Minor | 5 | 6A | 137 BPM | ||
| ラヴレター | Victor Young & His Orchestra | A Major | 4 | 11B | 119 BPM | ||
| Presents | Neal Hefti | C Major | 0 | 8B | 93 BPM | ||
| Grand Panorama | Bruce Campbell | E Minor | 1 | 9A | 75 BPM | ||
| A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | ||
| A Summer Place Theme | Bob Docker And His Orchestra | D♭ Major | 4 | 3B | 91 BPM | ||
| What is There to Say | Mitchell Ayres & His Orchestra | F Major | 2 | 7B | 82 BPM | ||
| 魔王 | Hideakira Kimura | A Major | 4 | 11B | 119 BPM | ||
| The Music Man: Iowa Stubborn | Meredith Willson Orchestra, Meredith Willson | A Major | 2 | 11B | 93 BPM | ||
| Jennifer | John Sbarra Orchestra | A♭ Major | 4 | 4B | 121 BPM |