"Romanze, Op. 14" by Leó Weiner, Ditta Rohmann, Istvan Kassai had its release date on January 16, 2026. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weiner: Chamber Works by Leó Weiner, Csaba Klenyán, Júlia Pusker, Ditta Rohmann, Istvan Kassai. The song's track number on the album is #5 out of 10 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Romanze, Op. 14 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Romanze, Op. 14 by Leó Weiner, Ditta Rohmann, Istvan Kassai has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Romanze, Op. 14 being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade in F Minor, Op. 3: II. Lebhaft, sehr rhythmisch | Leó Weiner, Neeme Järvi, Estonian National Symphony Orchestra | F Minor | 1 | 4A | 143 BPM | ||
| Nocturne No. 2 in A Major, Op. 73 | Jenő Hubay, Ferenc Szecsődi, Istvan Kassai | A Major | 1 | 11B | 115 BPM | ||
| Sea-Murmurs (Arr. J. Heifetz for Cello & Piano) | Mario Castelnuovo-Tedesco, Brinton Averil Smith, Evelyn Chen | F Minor | 1 | 4A | 93 BPM | ||
| Suk: Elegie in D-Flat Major, Op. 23 (Adagio - Poco più mosso): | Josef Suk, Ahn Trio | A♭ Major | 0 | 4B | 83 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Hungarian Folkdance Suite, Op. 18: I. Allegro risoluto e ben marcato | Leó Weiner, Neeme Järvi, Philharmonic Orchestra, Hugh Bean | E Major | 1 | 12B | 78 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | C Major | 2 | 8B | 82 BPM | ||
| String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | C Major | 2 | 8B | 85 BPM | ||
| 3 Romanzen, Op. 22: No. 1 in D-Flat Major: Andante molto (Arr. F. Benda for clarinet and piano) | Clara Schumann, Francois Benda, Elina Gotsouliak | A Major | 1 | 11B | 140 BPM | ||
| Violin Concerto In D Minor, Op. 47: 2. Adagio di molto | Jean Sibelius, Esther Yoo, Philharmonia Orchestra, Vladimir Ashkenazy | B Major | 4 | 1B | 158 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | C Major | 2 | 8B | 82 BPM | ||
| Pastorale, phantaisie et fugue, Op. 23: II. Phantaisie | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | D Major | 1 | 10B | 109 BPM | ||
| Sonatine, M. 40: III. Animé | Maurice Ravel, Julien Libeer | E Minor | 2 | 9A | 137 BPM | ||
| 15 Hungarian Peasant Songs for Piano, Sz. 71: No. 1, Rubato | Béla Bartók, Dénes Várjon | B♭ Major | 2 | 6B | 80 BPM | ||
| Divertimento No. 3, Op. 25 "Impressioni ungheresi": V. Maskara-nóta. Allegro | Leó Weiner, Valeria Csanyi, MÁV Symphony Orchestra | A Major | 1 | 11B | 171 BPM | ||
| La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'esprit de la forêt | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | C Major | 2 | 8B | 82 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Nash Ensemble | D Major | 0 | 10B | 66 BPM | ||
| Serenade, Op. 3: III. Rubato - Andantino | Leó Weiner, Valeria Csanyi, MÁV Symphony Orchestra | A Major | 1 | 11B | 171 BPM | ||
| 12 Studies for Piano, Op. 46: III. For the 'Five Fingers' | York Bowen, Nicolas Namoradze | F Major | 0 | 7B | 83 BPM | ||
| Nocturne Op. 8 No. 4 – Andante | Milenna Jovic | D Minor | 0 | 7A | 71 BPM | ||
| 12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | D♭ Major | 1 | 3B | 80 BPM | ||
| Le poème de l'extase, Op. 54: I. Andante. Languido – Lento. Soavamente – Allegro volando – Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Ave Maria, CG 89a (After Prelude in C Major, BWV 846) [Version for Cello & Piano] | Charles Gounod, Johann Sebastian Bach, Steven Isserlis, Connie Shih | C Major | 2 | 8B | 82 BPM | ||
| Variations on a Rococo Theme, Op. 33: Var. 7 e Coda - Allegro vivo | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | A Major | 3 | 11B | 80 BPM |