"On the Line" by Andrew Skeet, Luke Gordon had its release date on February 24, 2014. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 17 in Forensic: Intrigue and Investigation by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, On the Line's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of On the Line by Andrew Skeet, Luke Gordon is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oh Wonder | Andrew Britton, Andrew Skeet, David Goldsmith | E♭ Minor | 2 | 2A | 100 BPM | ||
| A Court of Thorns and Roses | Taylor Ash | F♯ Minor | 8 | 11A | 122 BPM | ||
| Farewell | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| The Last Autumn Theme | Piotr Musiał | F Minor | 4 | 4A | 86 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| Evey Reborn | Dario Marianelli | F Minor | 1 | 4A | 80 BPM | ||
| Things That Hold Memory | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | E Minor | 2 | 9A | 87 BPM | ||
| Service & Sacrifice | Eliott Tordo Erhu | D Major | 2 | 10B | 143 BPM | ||
| Dumbledore's Army | Nicholas Hooper | G Major | 1 | 9B | 80 BPM | ||
| Passing Phase | Andrew Skeet | F Major | 1 | 7B | 101 BPM | ||
| Dining With Lectre | Peter Gundry | G Minor | 2 | 6A | 75 BPM | ||
| This Quiet Violence | David Chappell | B Minor | 1 | 10A | 161 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| Portrait of a Courtesan | Kerry Muzzey, The Chamber Orchestra Of London, Andrew Skeet | B♭ Minor | 2 | 3A | 111 BPM | ||
| Lost And Found | LUDEN | D Minor | 3 | 7A | 110 BPM | ||
| Valiant | Dream Cave | F Minor | 5 | 4A | 134 BPM | ||
| Death Singularity | Benji Merrison, Air Lyndhurst String Orchestra, Andrew Skeet | A♭ Major | 1 | 4B | 78 BPM | ||
| Dream's Escape | David Buckley | D Minor | 4 | 7A | 130 BPM | ||
| Dreams Of Yesterday | Andrew Skeet, Nathan William Klein | C Major | 4 | 8B | 104 BPM | ||
| Secret Corruption | David Stephen Goldsmith, Andrew Michael Britton, Andrew Skeet | B Minor | 2 | 10A | 158 BPM | ||
| Damned Souls | Piotr Musiał | E Minor | 4 | 9A | 76 BPM | ||
| A Petticoat Never Saved Anyone | Matthew J Webster | A Minor | 1 | 8A | 140 BPM | ||
| Methuen Home For Children 1957 | Carlos Rafael Rivera | D Minor | 1 | 7A | 156 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| Queen of the Damned | Secession Studios, Greg Dombrowski | C Minor | 4 | 5A | 120 BPM |