Keith Merrill's ' "The Last March" was released on its scheduled release date, July 10, 2014. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Keith Merrill's "Genesis" album is number 13 out of 14. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, The Last March's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Last March by Keith Merrill to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Stillness | Omar Raafat | A♭ Minor | 7 | 1A | 150 BPM | ||
| We Still Remain | Sid Acharya | A Minor | 2 | 8A | 120 BPM | ||
| Bulwark | Keith Merrill | E Major | 1 | 12B | 75 BPM | ||
| Odyssey | Keith Merrill | G Major | 2 | 9B | 119 BPM | ||
| Live to See Tomorrow | David Chappell | C Minor | 5 | 5A | 123 BPM | ||
| Weep No More | Abilene | A Major | 2 | 11B | 63 BPM | ||
| Ware Is Caleb | Generdyn | F Minor | 5 | 4A | 100 BPM | ||
| Tumultuous You | Bardic Fae, Lydia Munchinsky | C Minor | 1 | 5A | 97 BPM | ||
| Heavy Heart | Steyl | D Minor | 2 | 7A | 143 BPM | ||
| Vikersund | RØRE, Avery Bright | D Major | 2 | 10B | 140 BPM | ||
| the sea in your soul | RØRE, Avery Bright | C Minor | 3 | 5A | 128 BPM | ||
| Shadow of a Magnitude | Howard Harper-Barnes | F♯ Minor | 2 | 11A | 158 BPM | ||
| At the End of Nothing | Silver Maple | D Major | 0 | 10B | 66 BPM | ||
| Interstellar | Mofjell | G Minor | 3 | 6A | 93 BPM | ||
| Lumière | Jordan Critz | A Major | 3 | 11B | 120 BPM | ||
| Enchanter | Samuel Bohn | F Major | 2 | 7B | 136 BPM | ||
| Memoirs of the Forgotten | Krale | F♯ Minor | 8 | 11A | 80 BPM | ||
| Escape | Keith Merrill | G Minor | 3 | 6A | 100 BPM | ||
| Imbre | Jordan Critz | G Minor | 2 | 6A | 128 BPM | ||
| Ark Ascending | Ursine Vulpine | G Minor | 4 | 6A | 59 BPM | ||
| Lumens | Kerry Muzzey | G Major | 1 | 9B | 73 BPM | ||
| Odissey | LUDEN, Sara Mun | C Minor | 5 | 5A | 90 BPM | ||
| Rose Covered Prison | Taylor Ash | F Major | 0 | 7B | 127 BPM | ||
| Aching for Tomorrow - Extended Version | Mofjell | F♯ Minor | 2 | 11A | 86 BPM |