"Canção do Amor" by Renée Fleming, Fred Hersch, Bill Frisell had its release date on January 1, 2005. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renée Fleming's "Haunted Heart (with bonus track)" album is number 12 out of 15. Canção do Amor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canção do Amor by Renée Fleming, Fred Hersch, Bill Frisell to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vide Cor Meum | Patrick Cassidy, Anthony Hopkins, Danielle de Niese, Bruno Lazzaretti, Libera, The Lyndhurst Orchestra, Gavin Greenaway | A Major | 2 | 11B | 84 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
| Dvořák: Songs My Mother Taught Me (From Gypsy Melodies, Op. 55, B. 104) | Sumi Jo, PKF – Prague Philharmonia, Ondrej Lenard | D Major | 3 | 10B | 111 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 1 | 12B | 84 BPM | ||
| Turandot, Atto III: "Nessun Dorma" | Giacomo Puccini, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano | D Major | 3 | 10B | 82 BPM | ||
| Luna: 9. Epílogo | José María Cano, Renée Fleming, The London Ensemble | C Major | 2 | 8B | 82 BPM | ||
| Così fan tutte, K.588 / Act 2: "Per pietà, ben mio, perdona" - Live | Wolfgang Amadeus Mozart, Renée Fleming, David Syrus, Chamber Orchestra of Europe, Sir Georg Solti | E Major | 1 | 12B | 58 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Daniel Hope, Jacques Ammon, Ensemble des Deutschen Kammerorchesters Berlin | E Major | 1 | 12B | 81 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
| Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
| Delibes: Lakmé, Act 2: Scène et légende de la fille du Paria. "Par les dieux inspirés" - Air des clochettes. "Où va la jeune Hindoue" (Lakmé, Nilakantha, Chœur) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
| Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 103 BPM | ||
| Libiamo Ne' Lieti Calici (Brindisi) - La Traviata Atto I | Renata Tebaldi | B♭ Major | 3 | 6B | 134 BPM | ||
| Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
| Benedictus | Karl Jenkins, Voces8, Christian Forshaw | D Major | 0 | 10B | 72 BPM | ||
| Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapete | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | B♭ Major | 1 | 6B | 119 BPM | ||
| La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
| La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
| Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM |