"Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust)" by Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse had its release date on January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse's "Gounod: Faust" album is number 2 out of 64. On top of that, France appears to be the country where this track was created. In terms of popularity, Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) by Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| II Barbieri Di Siviglia: : Largo Al Factotum | Orchestra Of The Romanian Opera in Bucharest and Choir, Michai Brediceanu, Nicolae Herlea | G Major | 1 | 9B | 81 BPM | ||
| Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
| Un ballo in maschera / Act 3: "Eri tu che macchiavi quell'anima" | Giuseppe Verdi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| La Bohème / Act 3: "Mimi!" - "Speravo di trovarvi qui" - Live | Giacomo Puccini, Anna Netrebko, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 1 | 7B | 176 BPM | ||
| Faust: Choeur des soldats | Charles Gounod, Franz Bauer-Theussl, Choeurs de l'Opéra de Vienne, Wilhelm Loibner | A Major | 1 | 11B | 110 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (a) "Me voici! … Non" (Méphistophélès, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | ||
| Don Giovanni, K. 527: Mi tradì quell'alma ingrata | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lorin Maazel | B♭ Major | 1 | 6B | 112 BPM | ||
| Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
| Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
| Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM | ||
| Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
| Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] | Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 4 | 12B | 79 BPM | ||
| Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
| L'elisir d'amore / Act I: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM | ||
| Carmen, Act III, No.20 Trio: En vain pour éviter (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 1 | 3B | 83 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Ah! Un foco insolito" (Pasquale) | Gaetano Donizetti, Riccardo Muti, Sesto Bruscantini, Philharmonia Orchestra | C Major | 4 | 8B | 75 BPM | ||
| Orphée aux enfers - Opéra-féérie en 4 actes. Livret d'Hector Crémieux & Ludovic Halévy - Acte II - N°8 - Entracte et Choeur du Sommeil | Jacques Offenbach, Michel Plasson, Choeur Capitole Toulouse, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 85 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | C Major | 2 | 8B | 92 BPM | ||
| Bizet: Carmen, WD 31, Act 3: "Quant au douanier" (Carmen, Frasquita, Mercédès, Le Dancaïre, Le Remendado, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Les Éléments, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
| Messe solennelle de Sainte Cécile: Sanctus | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 2 | 7B | 96 BPM |