The Rippingtons, Russ Freeman's ' "Curves Ahead" was released on its scheduled release date, January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Rippingtons's "Live In L.A." album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Curves Ahead's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Curves Ahead by The Rippingtons, Russ Freeman to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Colors Of The Wind | Yutaka Yokokura | D Major | 5 | 10B | 102 BPM | ||
| Pamela | Brian Hughes | A♭ Minor | 7 | 1A | 120 BPM | ||
| Infinity | The Italian Game | F Minor | 7 | 4A | 97 BPM | ||
| Ain't No Stoppin' Us Now | Russ Freeman & The Rippingtons | B♭ Minor | 9 | 3A | 105 BPM | ||
| Hidden In Plain Sight | Jazz Funk Soul | D Minor | 5 | 7A | 111 BPM | ||
| Groovin' J | Jacob Webb | B♭ Minor | 7 | 3A | 103 BPM | ||
| Ashland | Randal Clark | B♭ Minor | 7 | 3A | 91 BPM | ||
| Grooves To Go | Groove Frequencies | F Minor | 5 | 4A | 98 BPM | ||
| Seaside Drive | Tim Bowman | D Major | 7 | 10B | 95 BPM | ||
| Temple Of The Sun | Russ Freeman | C Major | 6 | 8B | 107 BPM | ||
| Stargazer | Randal Clark | C Minor | 6 | 5A | 172 BPM | ||
| Inside Myself | Art Porter | A♭ Major | 6 | 4B | 170 BPM | ||
| Take Me Away | Oli Silk | D♭ Major | 9 | 3B | 108 BPM | ||
| Homecoming | Acoustic Alchemy, London Metropolitan Orchestra | A Major | 9 | 11B | 106 BPM | ||
| Switch Up | Phil Denny | G Minor | 9 | 6A | 101 BPM | ||
| Double Up | Jeff Ryan | E Minor | 8 | 9A | 100 BPM | ||
| Details | Jacob Webb, Stantawn Kendrick | E♭ Major | 8 | 5B | 112 BPM | ||
| Latin Haze | Oli Silk | F Minor | 7 | 4A | 102 BPM | ||
| Amore | Julian Vaughn | G Minor | 6 | 6A | 100 BPM | ||
| Waiting for the Sky | Reza Khan, David Mann, Miles Gilderdale | E Minor | 7 | 9A | 140 BPM | ||
| High Steppin' | Joe McBride | F Major | 7 | 7B | 94 BPM | ||
| 107 In the Shade | Alex Bugnon | D Minor | 4 | 7A | 149 BPM | ||
| 108 ° | Alex Bugnon | G Minor | 6 | 6A | 80 BPM | ||
| Mother's Eyes | Joe Sample | B♭ Minor | 4 | 3A | 84 BPM | ||
| Sweet Sundays | Tim Bowman | D♭ Minor | 8 | 12A | 110 BPM |