Stolen Babies's 'Behind The Days' had a release date set for September 18, 2012. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Naught". In this album, this song's track order is #4. In terms of popularity, Behind The Days is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Behind The Days by Stolen Babies having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Eat the Captain | Versus Them | E Minor | 6 | 9A | 107 BPM | ||
| Welcome to This Musical Circus | Scarlet Room | C Minor | 7 | 5A | 146 BPM | ||
| Mr. Soot's Little Black Book | Unextraordinary Gentlemen | B Major | 7 | 1B | 110 BPM | ||
| Losing Teeth | The Scarring Party | C Minor | 6 | 5A | 90 BPM | ||
| Only With You | The Tragic Tantrum | E Minor | 8 | 9A | 135 BPM | ||
| Velvet Embracer | Diablo Swing Orchestra | G Major | 9 | 9B | 66 BPM | ||
| Know The Dance | Ideamen | D Major | 9 | 10B | 93 BPM | ||
| New Devil | Angelspit | D♭ Major | 8 | 3B | 140 BPM | ||
| The Slaughter's Promenade | Circus Contraption | A Major | 4 | 11B | 115 BPM | ||
| The Wigmaker's Widow | Julie Christmas | A Major | 6 | 11B | 168 BPM | ||
| Blue | The Birthday Massacre | G Minor | 9 | 6A | 80 BPM | ||
| Mass Rapture | Diablo Swing Orchestra | D♭ Minor | 10 | 12A | 140 BPM | ||
| Mesopotamia | Black Light Burns | B♭ Minor | 10 | 3A | 150 BPM | ||
| Monster | 3 | C Major | 9 | 8B | 120 BPM | ||
| The Darkness | Zombie Girl, Sebastian Komor of Icon Of Coil | B Minor | 8 | 10A | 115 BPM | ||
| Never Come Back | Stolen Babies | A Minor | 10 | 8A | 95 BPM | ||
| Treacherous Thing | Ego Likeness | B♭ Minor | 6 | 3A | 130 BPM | ||
| In a Row | The Vincent Black Shadow | F♯ Major | 9 | 2B | 90 BPM | ||
| Break Shins to This | Rabbit Junk | G Major | 9 | 9B | 95 BPM | ||
| Hell of Being Cut to Pieces | Mojave Phone Booth | F Minor | 7 | 4A | 182 BPM | ||
| Hide In The Sky | Knives Out! | F Major | 10 | 7B | 95 BPM | ||
| Dude, Where's My Skin? | Schoolyard Heroes | G Major | 9 | 9B | 171 BPM | ||
| 8-Bit Piece of Shit | Circus Of Dead Squirrels | D Major | 9 | 10B | 120 BPM | ||
| Smash TV | Screaming Monkey Boner | A Major | 9 | 11B | 135 BPM | ||
| My Name Is Silence | Madder Mortem | D♭ Minor | 10 | 12A | 168 BPM |