On March 8, 2001, the song "Sayiyan Le Jayihen Gavnava" was released by Bijli Rani, Rekha Rani, Barkha Rani. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Palang Tod Naach Stage Programme Vol-2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Sayiyan Le Jayihen Gavnava is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sayiyan Le Jayihen Gavnava by Bijli Rani, Rekha Rani, Barkha Rani having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Beiman Re | Kukila Sarkar | D♭ Minor | 8 | 12A | 146 BPM | ||
| Sanwariya Re | Prem Shankar Jaat, Trisha Suthar | D♭ Minor | 6 | 12A | 153 BPM | ||
| Chunariya Me Dag Lag Gail | Dimple Bhumi | D♭ Major | 9 | 3B | 78 BPM | ||
| Kekari Padal Bad | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Pat Khulte Hi Maai Musukai Lee | Bharat Sharma Vyas | G Minor | 5 | 6A | 123 BPM | ||
| Tham Tani Moray De | Satish Das | F Major | 2 | 7B | 118 BPM | ||
| Chaman Roye Hanse Shabnam | Munni Begum | A Major | 7 | 11B | 89 BPM | ||
| Shree Shani Chalisa | Vikrant Marwah | B♭ Minor | 7 | 3A | 142 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Dheere Dheere Saajna | Madan Rai | F♯ Major | 4 | 2B | 147 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Esa Esa Lagan Likhaya Guruji Mera | Sukhdev Bharti | D♭ Minor | 8 | 12A | 143 BPM | ||
| Hasanarya Fula Madhe Mala Shodhtana | Yuvraj Pradhan | F♯ Major | 8 | 2B | 85 BPM | ||
| Jeans Ke Chain Khichawaal Kar | Naresh Kumar Yadav, Bijli Rani | A♭ Major | 9 | 4B | 147 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Timasail Hitriyaan | Heera Singh Rana | F♯ Major | 6 | 2B | 155 BPM | ||
| Chhepi Joro Mero Yaar Pahadan Manh Bhaderwahi Song | Mool Raj Misher | F Minor | 6 | 4A | 103 BPM | ||
| Kalindar Ke Beeja | Nilkamal Vaishnav | E♭ Major | 9 | 5B | 136 BPM | ||
| Prabhu Balmiki Bhagwan Aao | Tripti Shakya | B♭ Minor | 6 | 3A | 166 BPM | ||
| Sab Kuch Karih Pyar Na Karih | Kalpana Patowary, Suresh Wadkar | C Major | 4 | 8B | 78 BPM | ||
| Maiya Duware Dukhiya Thari | Poonam Mishra | D♭ Major | 8 | 3B | 100 BPM | ||
| Taqdeer Garibon Ke | Devinder Kohinoor | E Minor | 5 | 9A | 123 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Ei Dehar Mullo Nai | Basudeb Rajbanshi | D♭ Major | 6 | 3B | 150 BPM | ||
| Bondhu Na Bajais Tor Dotora | Tulshi Sarkar | F♯ Major | 5 | 2B | 94 BPM |