Rajendra Vaishampayan's ' "Adhay 06 Shlok 42 To Shlok 47" was released on its scheduled release date, February 3, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 78 in the song's album "Sampurn Dnyaneshwari Parayan". In this album, this song's track order is #19. Furthermore, we believe that the track originated from India. Adhay 06 Shlok 42 To Shlok 47 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Adhay 06 Shlok 42 To Shlok 47 by Rajendra Vaishampayan having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chala Ho Pandhari Jau | Krushna Buwa Deshmukh | D Major | 7 | 10B | 101 BPM | ||
| Sri Kamakhya Stotram | Namratha Rajesh | E♭ Major | 3 | 5B | 173 BPM | ||
| Gauri Gauri Gange | Yogi Hari | D♭ Major | 5 | 3B | 172 BPM | ||
| Hare Ram Hare Ram... Kirtan | Sant Shri Asharamji Bapu | B♭ Minor | 4 | 3A | 74 BPM | ||
| Mushak Vahan Modak Hast | Ajit Kadkade | D♭ Major | 5 | 3B | 123 BPM | ||
| Sri Adi Varahi Stotram | Bhandhavi | F♯ Minor | 9 | 11A | 115 BPM | ||
| Sri Hanumanth Bhujangam | Malola Kannan | C Major | 8 | 8B | 114 BPM | ||
| Shree Ganesh Chalisa | Shraddha Jain | D Major | 5 | 10B | 90 BPM | ||
| Lakshmi Ashtotrashata Namavali - 108 Names Of Lakshmi | T. S. Ranganathan | F Major | 2 | 7B | 100 BPM | ||
| Mandra Pushpam | M.Ramani Sastrigal | F♯ Major | 9 | 2B | 100 BPM | ||
| Charan Sharan Ki Vandna Nit koi Aur Naa Kaam | Radha Swami Satsang Dinod | C Major | 2 | 8B | 133 BPM | ||
| Shri Ghorkastoddharan Kastoddharan Stotra | Sandeep Mandke Guruji | C Major | 4 | 8B | 83 BPM | ||
| Ganpati Pooja | Rajendra Vaishampayan | D♭ Major | 6 | 3B | 133 BPM | ||
| Japji Sahib Pauri 22 - 24 (Paatala Patal Nanak Nadri Karmi Daat) - Original Mix | The Sikh Foundation | D Major | 2 | 10B | 130 BPM | ||
| Ashtothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 2 | 9B | 98 BPM | ||
| Bhagavad Gita, Pt. 8 - Akshara Brahma Yoga | Pt. Ved Prakash Phondani | E♭ Major | 4 | 5B | 83 BPM | ||
| Hanuman | Jyothsna, Radhika | A♭ Major | 2 | 4B | 103 BPM | ||
| Atulit Bal Dhama | Niranjan Sarda | D Major | 2 | 10B | 67 BPM | ||
| Shendur Laal Chadhaayo Achchha Gajamukha KO | Shraddha Jain | C Major | 8 | 8B | 170 BPM | ||
| Agajananna Padmarkkam | Mathangi Sathyamoorthi | D♭ Minor | 7 | 12A | 147 BPM | ||
| Om Sri Boganrusimhaya Namaha | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | D♭ Major | 1 | 3B | 107 BPM | ||
| Sri Ganesha Ashtotharam | Shivashankar Bhat, Venkatesha Bhat | F Major | 4 | 7B | 125 BPM | ||
| Rathri Suktham | J. Bhaktavatsalam, Ganesan, Na | C Major | 6 | 8B | 120 BPM | ||
| Mruthyunjaya Maha Mantram | Bangalore Sisters, Ajey Warrior, Ramesh Chandra | E♭ Major | 2 | 5B | 132 BPM | ||
| Sri Subrahmanya Kavacha Stotram | Bangalore Sisters | E♭ Major | 3 | 5B | 136 BPM |