"The Final Spur" by Nathan Lanier had its release date on September 12, 2025. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. The Final Spur's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Wrong Paris (Soundtrack from the Netflix Film)". In this album, this song's track order is #22. The Final Spur is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Final Spur by Nathan Lanier having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jackseye's Tale | Daniel Pemberton | A Major | 4 | 11B | 107 BPM | ||
| Dance of life | Sergey Ivanov | E Minor | 9 | 9A | 160 BPM | ||
| Last Moment | Christophe Filippi | C Minor | 3 | 5A | 170 BPM | ||
| Prism | Nathan Lanier | A Minor | 6 | 8A | 115 BPM | ||
| The Time to Run | Dexter Britain | E Minor | 7 | 9A | 136 BPM | ||
| Into Eternity - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 2 | 6B | 84 BPM | ||
| The Illusionist | Maxime Rodriguez | C Major | 5 | 8B | 123 BPM | ||
| We Will End This Fight | Chroma Music | C Minor | 6 | 5A | 144 BPM | ||
| Elevated | Secession Studios | G Major | 5 | 9B | 90 BPM | ||
| Finale | John Paesano, Pete Anthony, American Federation of Musicians | A Major | 2 | 11B | 116 BPM | ||
| Patterns | Christophe Filippi | G Major | 2 | 9B | 126 BPM | ||
| Maintenant ou jamais | René Aubry | C Major | 6 | 8B | 120 BPM | ||
| November | Max Richter, BBC Philharmonic, Rumon Gamba | C Major | 4 | 8B | 117 BPM | ||
| Moonlight Sonata Trailerized | Wall Of Noise | D♭ Major | 3 | 3B | 105 BPM | ||
| Forefathers | Mattia Turzo | A♭ Major | 7 | 4B | 143 BPM | ||
| Yellow Moon | Luca D'Alberto | A Minor | 5 | 8A | 100 BPM | ||
| The Battle | Harry Gregson-Williams | C Minor | 6 | 5A | 119 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Sarajevo | Max Richter, BBC Philharmonic, Rumon Gamba, Sarah Sutcliffe | B♭ Minor | 3 | 3A | 119 BPM | ||
| Bloodstream | Tokio Myers | D♭ Major | 4 | 3B | 76 BPM | ||
| I'm Going To Drive Until It Burns My Bones | Ursine Vulpine | B♭ Major | 4 | 6B | 80 BPM | ||
| Salem | Travis Lake | F Minor | 2 | 4A | 112 BPM | ||
| Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM | ||
| The Duchess' Secret | Davis Withane | D♭ Minor | 8 | 12A | 115 BPM | ||
| Diabolo | Xavier Mortimer, Maxime Rodriguez | D♭ Major | 5 | 3B | 143 BPM |