Harvie Swartz, Randy Klein's 'Dear Charles Mingus' had a release date set for January 1, 1995. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Dear Charles Mingus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Harvie Swartz, Randy Klein's "Love Notes from the Bass" album is number 2 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Dear Charles Mingus is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dear Charles Mingus by Harvie Swartz, Randy Klein to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song For Judi | Joe Lovano Us Five | A Major | 1 | 11B | 75 BPM | ||
| Coral reef | SwisUp | G Major | 4 | 9B | 112 BPM | ||
| Tomorrow's Son | Steve Kuhn, Sheila Jordan, Harvie Swartz, Bob Moses | C Major | 1 | 8B | 70 BPM | ||
| I Sat Where She Used To | Lumi Ael | G Major | 4 | 9B | 112 BPM | ||
| Yesterday's Gardenias | Steve Kuhn, Harvie Swartz | C Major | 4 | 8B | 113 BPM | ||
| Portrait in Blue | Sorona | B Major | 0 | 1B | 74 BPM | ||
| Soft Shoes on Wood | Milo Crescent | G Major | 4 | 9B | 112 BPM | ||
| I've Grown Accustomed to Her Face | Brad Mehldau Trio | E Major | 0 | 12B | 136 BPM | ||
| Soul of Things, Var. 4 | Tomasz Stanko Quartet | C Minor | 1 | 5A | 62 BPM | ||
| I (Suspended Variations) | Tomasz Stanko Quartet | C Major | 2 | 8B | 68 BPM | ||
| Lullaby in Blue Air | Sonorous Sky Entertainment | E♭ Major | 0 | 5B | 66 BPM | ||
| Born of the First Dawn | Aurora Grove | E♭ Major | 0 | 5B | 183 BPM | ||
| Dream State | Julian Moonray | C Major | 0 | 8B | 147 BPM | ||
| Jazz for Cafés | Breakfast Jazz | D♭ Major | 0 | 3B | 76 BPM | ||
| Cypress Workshop | Linear Swing Jazz Club | B♭ Major | 1 | 6B | 82 BPM | ||
| K.T.C. | Marcin Wasilewski, Slawomir Kurkiewicz, Michal Miskiewicz | D♭ Major | 3 | 3B | 81 BPM | ||
| Dancing in Twilight | Mia Brentano, Benyamin Nuss, Andy Miles | E Minor | 1 | 9A | 88 BPM | ||
| The Winner Takes It All | Hans Ulrik | G Major | 4 | 9B | 112 BPM | ||
| Alverna | Linear Swing Jazz Club | B♭ Minor | 2 | 3A | 117 BPM | ||
| Last Light On Vinyl | MySOL | A Major | 1 | 11B | 107 BPM | ||
| Café Mornings | Breakfast Jazz | G Major | 1 | 9B | 170 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 16, Andantino | Nikolai Kapustin, Ophelia Gordon | A♭ Major | 3 | 4B | 96 BPM | ||
| Warmeland | John Lewis | C Minor | 1 | 5A | 75 BPM | ||
| Velvet Rhythm - Night Mix | KnacK | G Major | 4 | 9B | 112 BPM | ||
| Mountain Top | Nico Valente | D Major | 0 | 10B | 48 BPM |