Phil Silvers, Nancy Dussault's ' "Ambition" was released on its scheduled release date, July 28, 2011. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 16 in Do Re Mi (Original Broadway Cast Recording) by Various Artists. The popularity of Ambition is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ambition by Phil Silvers, Nancy Dussault is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hurry! It's Lovely Up Here | John Cullum, Barbara Harris | C Minor | 2 | 5A | 109 BPM | ||
| Golden Days | Mario Lanza, Constantine Callinicos | E♭ Major | 1 | 5B | 95 BPM | ||
| The Colors of My Life (Pt. I) | Jim Dale, Peter Howard, Barnum Original Broadway Cast, Original Broadway Cast of Barnum | F Major | 2 | 7B | 126 BPM | ||
| Anything You Can Do | Adolph Deutsch, MGM Studio Orchestra | A Major | 3 | 11B | 176 BPM | ||
| A Place On The Parade | Reece Shearsmith, Sarah Lancashire, The Betty Blue Eyes Company | A♭ Major | 3 | 4B | 67 BPM | ||
| It's Legitimate | David Burns, George Givot, George Mathews, Phil Silvers, Do Re Mi Ensemble | D Major | 4 | 10B | 122 BPM | ||
| The Late Late Show | Phil Silvers | G Minor | 4 | 6A | 121 BPM | ||
| America, The Beautiful | Gene Autry | A♭ Major | 2 | 4B | 88 BPM | ||
| Rain on the Roof / Ah, Paris! / Broadway Baby - Medley | Norma Atallah, Billy Boyle, Geraldine Fitzgerald, Di Botcher | G Major | 3 | 9B | 99 BPM | ||
| What's The Use Of Wond'rin' | Barbara Ruick, Shirley Jones | C Major | 2 | 8B | 88 BPM | ||
| Oh Kay!: Someone to Watch Over Me | George Gershwin, P. G. Wodehouse, Barbara Ruick, Lehman Engel | A♭ Major | 1 | 4B | 84 BPM | ||
| La strada: La strada | Nino Rota, Studio Orchestra | B♭ Major | 3 | 6B | 91 BPM | ||
| Starlit Serenade | Vintage Jazz, Jazz Oldies, 1950s Music | D Major | 1 | 10B | 120 BPM | ||
| It's Harry I'm Planning to Marry | Alisa Endsley | G Major | 1 | 9B | 99 BPM | ||
| State Fair 1945: It Might As Well Be Spring | Richard Rodgers, Oscar Hammerstein II | D Major | 1 | 10B | 85 BPM | ||
| Come Back to Me | John Cullum | C Major | 4 | 8B | 143 BPM | ||
| Rags: The New American Musical: Rags | Charles Strouse, Dick Latessa, Judy Kuhn, Eric Stern | B♭ Major | 3 | 6B | 80 BPM | ||
| You're Getting to Be a Habit with Me | Tammy Grimes, Lee Roy Reams, Wanda Richert, 42nd Street Ensemble | A♭ Minor | 1 | 1A | 67 BPM | ||
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| My Funny Valentine | Stella Cole | B♭ Major | 1 | 6B | 148 BPM | ||
| Till There Was You | Shirley Jones | D Major | 2 | 10B | 174 BPM | ||
| Holiday Night Radio | Oldies Playing | D Major | 0 | 10B | 70 BPM | ||
| Indian Love Call | Jeanette MacDonald, Nelson Eddy | F Major | 2 | 7B | 90 BPM | ||
| I Loved You Once in Silence - Guenevere and Lancelot | Vanessa Redgrave, Frances Nero, Lee Herschberg | D Major | 0 | 10B | 134 BPM | ||
| And her mother came too | Jeremy Northam, Christopher Northam | E♭ Major | 1 | 5B | 177 BPM |