Trattenimenti per camera, Op. 22: Capriccio sopra 12 note by Maurizio Cazzati, L'Arpeggiata, Christina Pluhar Song Details

Maurizio Cazzati, L'Arpeggiata, Christina Pluhar's ' "Trattenimenti per camera, Op. 22: Capriccio sopra 12 note" was released on its scheduled release date, November 21, 2025. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Orfeo son io". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. In terms of popularity, Trattenimenti per camera, Op. 22: Capriccio sopra 12 note is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

With Trattenimenti per camera, Op. 22: Capriccio sopra 12 note by Maurizio Cazzati, L'Arpeggiata, Christina Pluhar having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.893 dB
Acousticness: 20%
Danceability: 62%
Energy: 28%
Instrumentalness: 2%
Liveness: 7%
Loudness: 74%
Speechiness: 3%
Valence: 44%

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Quatrième suite in A Minor: No. 2, Allemande	Marin Marais, François Joubert-Caillet, L'Achéron	F♯ Minor	1	11A	94 BPM
Sonata Da Chiesa No. 3 in C Major, Op. 5: I. Adagio	Arcangelo Corelli, Ottavio Dantone, Stefano Montanari	B Major	2	1B	91 BPM
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[Suite en sol mineur]: I. Prélude (No. 63)	Marin Marais, François Joubert-Caillet, L'Achéron	F♯ Minor	0	11A	115 BPM
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