"Return to Poland" by Zbigniew Preisner had its release date on 2003. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Trois Couleurs: Bleu, Blanc, Rouge (Original Motion Picture Soundtrack from the Three Colors Trilogy by Kieślowski)". In this album, this song's track order is #30. Furthermore, we believe that the track originated from France. Return to Poland is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Return to Poland by Zbigniew Preisner having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| actual | maxflow | D♭ Major | 1 | 3B | 57 BPM | ||
| Agfa Montage | Johnny Klimek, Reinhold Heil | F♯ Major | 1 | 2B | 80 BPM | ||
| Classic Love | Nadyia Lvov | C Major | 0 | 8B | 80 BPM | ||
| Portia [The Merchant of Venice] | Jocelyn Pook, David Juritz | C Major | 1 | 8B | 70 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| Persian Miniatures, Op. 25: No. 1, Solitude (Arr. T. Kamangar) | André Hossein, Tara Kamangar | F♯ Minor | 0 | 11A | 68 BPM | ||
| Termab | Dinbin Mau | F Minor | 1 | 4A | 144 BPM | ||
| Dark Suspicion | Barrington Pheloung | G Major | 0 | 9B | 70 BPM | ||
| Raindrops On The Sea | Evanthia Reboutsika | D Minor | 1 | 7A | 68 BPM | ||
| Psychoanalysis | Zbigniew Preisner | D Major | 1 | 10B | 179 BPM | ||
| Thirteenth Dalai Lama | Philip Glass | A Minor | 0 | 8A | 66 BPM | ||
| Salvador sumergido | Alberto Iglesias | E Minor | 1 | 9A | 174 BPM | ||
| The Father | Johan Söderqvist | E Minor | 1 | 9A | 91 BPM | ||
| The Ghost | Jocelyn Pook, Harvey Brough, Belinda Sykes | D♭ Major | 1 | 3B | 81 BPM | ||
| Olivier's Theme - Finale | Zbigniew Preisner | G Major | 3 | 9B | 69 BPM | ||
| Still Can't Return (Still Trying) | Jon Brion | A Major | 0 | 11B | 109 BPM | ||
| The English Patient | Academy of St. Martin in the Fields, Gabriel Yared | B Minor | 0 | 10A | 63 BPM | ||
| Withering Hope | Orithia | E Major | 7 | 12B | 102 BPM | ||
| Days Of Heaven (Main Theme) | Orchestra de Verona | C Minor | 3 | 5A | 70 BPM | ||
| Betty et Zorg | Gabriel Yared | G Major | 0 | 9B | 79 BPM | ||
| Foschia | Roegan Jones | B♭ Minor | 0 | 3A | 79 BPM | ||
| María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
| Tsurumaru's Flute / Azusa Castle in Ruins | Toru Takemitsu | F Major | 1 | 7B | 125 BPM | ||
| Aegean Silence - Jennifer Cavilleri Remix | Yalçın Konuk | D Minor | 2 | 7A | 148 BPM | ||
| Musica Ricercata, II - Mesto, rigido e cerimoniale | Dominic Harlan | G Minor | 0 | 6A | 76 BPM |