Hayes Carll's ' "The Letter" was released on its scheduled release date, 2011. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hayes Carll's "KMAG YOYO (& Other American Stories)" album is number 7 out of 12. In terms of popularity, The Letter is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Letter by Hayes Carll to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feel This Right | Jeremy Pinnell | G Major | 6 | 9B | 130 BPM | ||
| Ten Miles Down the Nine Mile Road | Scott Miller | D Major | 3 | 10B | 106 BPM | ||
| Motel Cowboy Show | Reckless Kelly | D Major | 8 | 10B | 99 BPM | ||
| None'ya | Hayes Carll | D Major | 5 | 10B | 82 BPM | ||
| We Were Alright | Arlo McKinley | E Major | 3 | 12B | 115 BPM | ||
| Drunken Poet's Dream | Hayes Carll | A Major | 5 | 11B | 138 BPM | ||
| Hold Me | Luke Bell | C Major | 8 | 8B | 119 BPM | ||
| Got Me A Woman | Levon Helm | C Major | 6 | 8B | 77 BPM | ||
| Gawd Above | John Fullbright | C Major | 6 | 8B | 105 BPM | ||
| It's Never Too Late to Call | Paul Thorn | E Major | 2 | 12B | 94 BPM | ||
| Freight Train | Fred Eaglesmith | A Minor | 8 | 8A | 131 BPM | ||
| I Was Drunk | Alejandro Escovedo | B Minor | 6 | 10A | 128 BPM | ||
| All Blue | Luke Bell | G Major | 8 | 9B | 132 BPM | ||
| Country Cool | Shinyribs | G Major | 7 | 9B | 143 BPM | ||
| Who's Gonna Build Your Wall? | Tom Russell | G Major | 8 | 9B | 134 BPM | ||
| Striaght To Hell | Kevn Kinney | G Major | 3 | 9B | 116 BPM | ||
| Play a Train Song | Todd Snider | G Major | 8 | 9B | 83 BPM | ||
| Ballad of 1892 | Jeremy Pinnell | D Major | 6 | 10B | 124 BPM | ||
| The Dogs | Justin Wells | B♭ Major | 8 | 6B | 147 BPM | ||
| Indiana Line | Chicago Farmer | A♭ Minor | 6 | 1A | 93 BPM | ||
| Play Something We Know | Adam Hood | G Major | 3 | 9B | 125 BPM | ||
| Bible on the Dash | Corb Lund, Hayes Carll | B Minor | 7 | 10A | 107 BPM | ||
| Can't Let Go | Lucinda Williams | G Major | 8 | 9B | 94 BPM | ||
| Ragged As the Road | Reckless Kelly | E Major | 9 | 12B | 136 BPM | ||
| I Shot Your Dog | Fred Eaglesmith | G Major | 4 | 9B | 77 BPM |