On December 20, 2022, the song "O Sathi Re" was released by Mukesh Bagda. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 6 in Darshan by Mukesh Bagda. Going off of the ISRC code of this track, we detected that the origin of this track is from South Africa. O Sathi Re is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of O Sathi Re by Mukesh Bagda is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mamta Mayi Maa | Shahnaaz Akhtar | B♭ Major | 7 | 6B | 152 BPM | ||
| Janamashtami Mashup | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 105 BPM | ||
| O Dakor Na Thakor | Master Rana | B♭ Major | 6 | 6B | 114 BPM | ||
| Man akhbar ka ghataya hai | Shahnaz Akhtar | A♭ Major | 8 | 4B | 180 BPM | ||
| Naiya Hamari Shyam | Mukesh Bagda | C Major | 5 | 8B | 87 BPM | ||
| Maine Sab Kuchh Paya Daati | Narendra Chanchal | D♭ Major | 7 | 3B | 80 BPM | ||
| Goradi | Chotu Singh Rawna, Parmen | E♭ Major | 7 | 5B | 180 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| Shri Shantinath Bhagwan Rahe Charanon | Mukesh Bagda | F♯ Minor | 5 | 11A | 82 BPM | ||
| Manmohan Kanha | Chetna | E♭ Minor | 6 | 2A | 152 BPM | ||
| Laal Rang Senura Ba | Bharat Sharma Vyas | B♭ Major | 7 | 6B | 140 BPM | ||
| Kabhi Ram Banke Kabhi Sham Banke | Anjali Jain | B Minor | 5 | 10A | 88 BPM | ||
| Chali Jaa Rahi Hai Umar Dheere Dheere | Prakash Gandhi | F♯ Minor | 7 | 11A | 148 BPM | ||
| Isar Das Ji To Bago | Supriya | F♯ Major | 5 | 2B | 154 BPM | ||
| Main Pardesi Hoon | Anuradha Paudwal, Udit Narayan | A♭ Major | 6 | 4B | 86 BPM | ||
| Ave Rusya Na Kar Meri Jaan | Sadhvi Purnima | A♭ Minor | 5 | 1A | 96 BPM | ||
| Main Bhole Ka Deewana | Kishan Bhagat | F Major | 7 | 7B | 81 BPM | ||
| Gori Jovey Baat | Champe Khan | B♭ Minor | 7 | 3A | 159 BPM | ||
| Jaise Jaise Dar Pe Tere Jhukta Chala Gaya | Mukesh Bagda | A♭ Minor | 5 | 1A | 78 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| SONA RA JHANAR BAJANA | Bhagwat Suthar | D♭ Minor | 10 | 12A | 95 BPM | ||
| Jala Sain Amaliya Pakine | Seema Mishra | E Major | 5 | 12B | 136 BPM | ||
| Jhula Jhulo Ri Radhe Rani | Mukesh Bagda | D♭ Major | 8 | 3B | 138 BPM | ||
| Jal Jamna Ro Pani | Seema Mishra | G Major | 6 | 9B | 82 BPM |