Within The Ruins's 'Shape-Shifter - Instrumental' had a release date set for November 16, 2018. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 34 in the song's album "Trilogy (Instrumental versions of Elite - Phenomena - Halfway Human)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Shape-Shifter - Instrumental's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shape-Shifter - Instrumental by Within The Ruins having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Ode to Insanity - Instrumental | The Raven Autarchy | B Minor | 9 | 10A | 120 BPM | ||
| Gone | Thrailkill | E Minor | 9 | 9A | 130 BPM | ||
| Spice Dealer | Merrow | B Major | 9 | 1B | 112 BPM | ||
| double data rate synchronous dynamic random access memory | The Algorithm | D♭ Major | 9 | 3B | 132 BPM | ||
| Here, wait a minute! Damn it! | Cloudkicker | D♭ Minor | 10 | 12A | 138 BPM | ||
| Ataxia IV | Within The Ruins | E♭ Minor | 10 | 2A | 127 BPM | ||
| Emigrate | Chronologist | G Major | 9 | 9B | 112 BPM | ||
| -27 | Walking Across Jupiter | A♭ Major | 9 | 4B | 130 BPM | ||
| The Shroud | Flux Conduct | A♭ Major | 8 | 4B | 121 BPM | ||
| Fracture (Instrumental) | Elitist | B Minor | 10 | 10A | 155 BPM | ||
| Treetops (Instrumental) | Corelia | C Major | 9 | 8B | 120 BPM | ||
| Breath | Jake Howsam Lowe | A♭ Major | 10 | 4B | 163 BPM | ||
| Decamilli | Texas In July | D♭ Major | 10 | 3B | 90 BPM | ||
| Jorms Ibble | Harkla | F Minor | 9 | 4A | 80 BPM | ||
| Nano Attack | Rabea Massaad | D♭ Major | 10 | 3B | 110 BPM | ||
| What Monsters We Have Become, Pt. 2 | Conducting From The Grave | A♭ Major | 9 | 4B | 125 BPM | ||
| No.0 | Night Verses | D♭ Major | 8 | 3B | 90 BPM | ||
| Fault Lines | Fractalize | F♯ Major | 9 | 2B | 105 BPM | ||
| Archon Test | Bulb | G Major | 9 | 9B | 125 BPM | ||
| Good Luck Song | Walking Across Jupiter | F♯ Major | 9 | 2B | 130 BPM | ||
| Sentinel Node | The Algorithm | A♭ Minor | 10 | 1A | 153 BPM | ||
| Death Mask | Within The Ruins | C Minor | 9 | 5A | 180 BPM | ||
| Heptaedium Nuker | Cartoon Theory, Heptaedium | C Major | 8 | 8B | 160 BPM | ||
| Messengers III | Mendel | B Major | 9 | 1B | 76 BPM | ||
| The Inception | Circle of Contempt | D♭ Major | 9 | 3B | 150 BPM |