Amália Rodrigues's ' "Ai Maria" was released on its scheduled release date, 1983. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Ai Maria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Amália Rodrigues's "Lágrima" album is number 4 out of 12. On top of that, Portugal appears to be the country where this track was created. The popularity of Ai Maria is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ai Maria by Amália Rodrigues to be Prestissimo (even faster than presto) because the track has a tempo of 202 BPM, a half-time of 101BPM, and a double-time of 404 BPM. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fado-Mae | Dulce Pontes | B Minor | 2 | 10A | 112 BPM | ||
| Balada para uma boneca de capelista | Carla Pires | A Major | 1 | 11B | 161 BPM | ||
| Leva-Me Aos Fados | Ana Moura | C Major | 3 | 8B | 140 BPM | ||
| A Bia da Mouraria | Carminho | F♯ Major | 4 | 2B | 101 BPM | ||
| Escrevo o Teu Nome | Marino de Freitas, Linda Leonardo | D♭ Minor | 4 | 12A | 93 BPM | ||
| Saudade vai-te embora | Fernanda Maria | G Major | 4 | 9B | 126 BPM | ||
| O Namorico da Rita | Katia Guerreiro | E Major | 3 | 12B | 102 BPM | ||
| Havemos De Ir A Viana | Amália Rodrigues | A Major | 4 | 11B | 142 BPM | ||
| Cartas De Amor | Tony De Matos | C Major | 3 | 8B | 119 BPM | ||
| Mal Por Mal | Deolinda | D Major | 3 | 10B | 146 BPM | ||
| Tudo Isto É Fado | Amália Rodrigues | D Major | 2 | 10B | 97 BPM | ||
| As 4 Operações | Katia Guerreiro | F♯ Minor | 4 | 11A | 140 BPM | ||
| Gaivota | Amália Rodrigues | C Minor | 3 | 5A | 105 BPM | ||
| Esta voz que me atravessa | Mafalda Arnauth | G Minor | 3 | 6A | 104 BPM | ||
| Eu Vou Dançar | Teresinha Landeiro | D Major | 3 | 10B | 123 BPM | ||
| Oiça lá ó senhor vinho | Mariza | F♯ Major | 6 | 2B | 176 BPM | ||
| Tudo o Que Não Há | Carla Pires | E♭ Major | 2 | 5B | 126 BPM | ||
| Estou Bem | Inês de Vasconcellos | C Major | 4 | 8B | 119 BPM | ||
| Ao passar a ribeirinha | Isabel Silvestre | C Major | 3 | 8B | 96 BPM | ||
| A casa da Mariquinhas | Alfredo Marceneiro | D Major | 3 | 10B | 121 BPM | ||
| Ó Rama Ó Que Linda Rama | Roberto Leal, Vitorino | E Major | 4 | 12B | 127 BPM | ||
| Meu amigo está longe | Gisela João | E Minor | 4 | 9A | 119 BPM | ||
| Perdidamente | Trovante | G Major | 3 | 9B | 120 BPM | ||
| Vida vivida | Argentina Santos | D Minor | 3 | 7A | 102 BPM | ||
| Fado varina | Carla Pires | G Major | 3 | 9B | 94 BPM |